Search results for " Art History"
showing 10 items of 1159 documents
Dopo Caravaggio. Problemi del naturalismo a Napoli e nell'Europa del primo Seicento
2015
International audience
Le Dieu masque
2015
International audience; ...
Vider Paris, modifier Paris
2012
International audience
La faïence de Nevers : 1585-1900 : Tome 4 : le XIXe siècle, alliances, déclin et renouveau
2011
Au terme de vingt-cinq années de recherches, Jean Rosen nous convie à une présentation détaillée de la production des XVIIIe et XIXe siècles, bien documentée par les archives, attestée par l'archéologie et les analyses de laboratoire, et largement illustrée par de nombreuses pièces inédites datées et signées provenant des réserves des musées et des collections particulières. Au XVIIIe siècle, ce sont souvent des faïences patronymiques, mais aussi de nombreux décors encore largement méconnus, comme la plupart des faïences dites " de La Rochelle ", ou certains fonds jaune ou gris de lin. Après les faïences révolutionnaires, les beaux saladiers de commande précèdent la production courante des …
Bertrand Lavier : a connection between art and reality
2014
This study aims to establish how French artist Bertrand Lavier (1949) defines and expresses reality in his work. In addition, we wanted to provide a historical and critical answer to a key problematic of contemporary art's history, the link between art and life. First, we dealt with several Lavier's series, from the late 1960s till nowadays, from which emerge recurring topics : representation ontology, the problem of paintings and sculptures definition, which the artist employs himself to rebuilt. Furthermore, he also makes a methodical critic of language as a reliable component of reality, pointing its limits and flaws, acting his divorce with then dominant conceptual art, converting himse…
Iconography and monumental art in "feodal space" from the 10th to the 12th century : the depiction of the Three Kings and its spread
2012
This dissertation deals with the iconography of the Three Kings from the Xth to the XIIth century, by means of a study of its adaptation on monumental decoration in Latin Europe, so as to unravel how it was adapted by feudal society. In order to do so, the first question is that of the new royal status acquired in the Xth century by the Magi from the Gospel of Matthew, analyzed thanks to the concept of “ruler figure” that emerged at the time and was depicted by Marc Bloch in Les Rois thaumaturges (1924) and Ernst Kantorowicz in the The King’s Two Bodies (1957). The aim is to define where the newly defined Three Kings stand in the intricate network of “ties between man and man” theorized by …
L’église de Saint-Antoine à l’aune de nouvelles hypothèses. Le chevet de l’église de Saint-Antoine (XIIe-XIIIe siècle)
2016
Géraldine Mocellin, Nicolas Reveyron (dir.), Bâtisseurs d’Éternité, catalogue d'exposition Musée départemental de Saint-Antoine-l’Abbaye (10 juillet-9 octobre 2016), Grenoble : Département de l’Isère ; Saint-Antoine-l’Abbaye : Musée de Saint-Antoine-l’Abbaye, 2016, pp. 116-118
Une coupe du XVIe siècle
1991
International audience
L'orfèvrerie
1998
Le goût des joyaux
1994
International audience