Search results for " Art History"

showing 10 items of 1159 documents

Outils pour le commentaire de traduction en anglais : thèmes & versions

2011

National audience; Méthodologie et Analyse grammaticale pour le Capes et l'agrégation interne

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/Literature[SHS.MUSEO] Humanities and Social Sciences/Cultural heritage and museologyTraduction en françaisManuels d'enseignement supérieur[ SHS.MUSEO ] Humanities and Social Sciences/Cultural heritage and museology[SHS.ART] Humanities and Social Sciences/Art and art historyAnglais[ SHS.ART ] Humanities and Social Sciences/Art and art history[ SHS.LITT ] Humanities and Social Sciences/Literature[SHS.ART]Humanities and Social Sciences/Art and art history[SHS.MUSEO]Humanities and Social Sciences/Cultural heritage and museology
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La rhétorique de l’ajout chez un écrivain politique espagnol : le cas d’Antonio Pérez, secrétaire d’Etat de Philippe II

2014

National audience; La rhétorique fait bien les choses, si bien qu’elle prévoit même des règles pour ce qui fait suite à l’écriture, pour ce hors-champ de la lettre qu’est le post-scriptum. Épistolaire à l’origine, cette ouverture est offerte à l’épistolier étourdi afin qu’il complète ce qu’il a oublié de mentionner dans le corps de sa lettre ; cet « après » de l’écriture se situe donc en marge du texte, puisqu’il s’inscrit après la signature, tout en étant inclus dans la feuille envoyée au destinataire. Mais la tolérance est toutefois réservée à la correspondance familière, et la longueur de l’ajout doit demeurer inférieure à celle de la lettre qui le précède. En théorie bien sûr, car dans …

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/Literature[SHS.MUSEO] Humanities and Social Sciences/Cultural heritage and museology[ SHS.MUSEO ] Humanities and Social Sciences/Cultural heritage and museology[SHS.ART] Humanities and Social Sciences/Art and art history[ SHS.ART ] Humanities and Social Sciences/Art and art history[ SHS.LITT ] Humanities and Social Sciences/Literature[SHS.ART]Humanities and Social Sciences/Art and art historylittérature politique[SHS.MUSEO]Humanities and Social Sciences/Cultural heritage and museologyrhétorique de l'ajout
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Aragon, roman familial, romans en famille

2014

National audience; .

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/Literature[SHS.MUSEO] Humanities and Social Sciences/Cultural heritage and museology[SHS.ART] Humanities and Social Sciences/Art and art history[ SHS.MUSEO ] Humanities and Social Sciences/Cultural heritage and museologyArt d'écrireAragon[ SHS.ART ] Humanities and Social Sciences/Art and art history[ SHS.LITT ] Humanities and Social Sciences/Literature[SHS.ART]Humanities and Social Sciences/Art and art history[SHS.MUSEO]Humanities and Social Sciences/Cultural heritage and museologyComputingMilieux_MISCELLANEOUS
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La Marguerite d’Aragon, muse, mère et Sainte Vierge

2014

Religious pictures which suddenly appear under the feather of Aragon in the collection Les Yeux d’Elsa (1942) to come back almost twenty years later in the poem Les Poetes (1960) are in more than a title incongruous in the poetic production of an atheistic and communist writer. This incongruity occurs for these two periods with the irruption in his neighbourhood of the poet's mother, among whom illness then death and inheritance of a family missal happen at the same time in the accomplishment of the collection of 1942, and whose memory is reanimated by the autobiographemes of the poem of 1960.

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/Literature[SHS.MUSEO] Humanities and Social Sciences/Cultural heritage and museology[SHS.ART] Humanities and Social Sciences/Art and art history[ SHS.MUSEO ] Humanities and Social Sciences/Cultural heritage and museology[SHS.ART]Humanities and Social Sciences/Art and art history[ SHS.ART ] Humanities and Social Sciences/Art and art history[ SHS.LITT ] Humanities and Social Sciences/Literature[SHS.MUSEO]Humanities and Social Sciences/Cultural heritage and museology
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Avatars du conte au XXe et XXIe siècle

2013

National audience; Dans Les Contes du chat perché, Marcel Aymé se livre à un jeu de reprise et, en même temps, de réécriture du conte traditionnel. S’il produit un effet de conte, en reprenant un traitement de la temporalité, un type de structure empruntés à la tradition, il crée une forme nouvelle affranchie de tout didactisme, beaucoup plus littéraire dans ses effets, notamment par le traitement du personnage. Cependant, même si l’auteur met en scène un imaginaire qui lui est propre, le traitement du merveilleux reste fondamentalement celui du conte.

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/Literature[SHS.MUSEO] Humanities and Social Sciences/Cultural heritage and museologytraitement du merveilleux[SHS.ART] Humanities and Social Sciences/Art and art history[ SHS.MUSEO ] Humanities and Social Sciences/Cultural heritage and museology[ SHS.ART ] Humanities and Social Sciences/Art and art history[ SHS.LITT ] Humanities and Social Sciences/Literature[SHS.ART]Humanities and Social Sciences/Art and art history[SHS.MUSEO]Humanities and Social Sciences/Cultural heritage and museologyconte
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« Pif le chien » sportif : un reflet des représentations des activités corporelles des Trente Glorieuses ? Étude exploratoire

2018

National audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/Literaturebande dessinée[SHS.EDU]Humanities and Social Sciences/Educationhistoire[SHS.EDU] Humanities and Social Sciences/Education[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art historyComputingMilieux_MISCELLANEOUS
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Typologies du gag dans « Pif le chien »

2019

National audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/Literaturebande dessinée[SHS.HIST] Humanities and Social Sciences/Historyhistoire[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art history[SHS.HIST]Humanities and Social Sciences/HistoryComputingMilieux_MISCELLANEOUS
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Pif, chien anthropomorphe

2018

National audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/Literaturebande dessinée[SHS.HIST] Humanities and Social Sciences/Historyhistoire[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art history[SHS.HIST]Humanities and Social Sciences/HistoryComputingMilieux_MISCELLANEOUS
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Pif le chien : répétitions et saisonnalité du « strip » quotidien

2019

National audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/Literaturebande dessinée[SHS.HIST] Humanities and Social Sciences/Historyhistoire[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art history[SHS.HIST]Humanities and Social Sciences/HistoryComputingMilieux_MISCELLANEOUS
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Le pavillon de Pif : la mise en scène du confort des Trente Glorieuses

2018

National audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/Literaturebande dessinée[SHS.HIST] Humanities and Social Sciences/Historyhistoire[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art history[SHS.HIST]Humanities and Social Sciences/HistoryComputingMilieux_MISCELLANEOUS
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