Search results for " ESTETICA"
showing 10 items of 430 documents
Erweiterung des Kantismus, Umgestaltung der Metaphysik. Il giovane Viktor von Weizsäcker lettore di Kant
2015
This paper aims to examine the relationships between the research of young Viktor von Weizsäcker and Kant’s critical thinking. Starting from the criticism of Driesch’s Neovitalism, here are considered some of the major contributions of Weizsacker in the years 1911-1926, in order to show its path between criticism of knowledge, metaphysics, construction of a biology and a medical anthropology.
Fra Terrence Deacon e la biologia teoretica: l’origine della facoltà estetica e la questione del gioco
2014
Based on a comparison between the contemporary evolutionary perspective supported, among others, by Terrence Deacon, and the biotheoretical thinking of early twentieth-century Germany, this paper purports to contribute to the debate on the origin of the aesthetic faculty, enhancing the role of morphology and the question of play, meant as an exemplary manifestation of the interaction between individuals and environments.
Somaesthetics as a Discipline Between Pragmatist Philosophy and Philosophical Anthropology
2012
Richard Shusterman’s somaesthetics provides a disciplinary framework in which come together reflections on the body by the main philosophical traditions of the twentieth century; the paper investigates some relations with Plessner and philosophical anthropology, as well as the rediscovery of some of the themes of Baumgarten’s aesthetics.
Arte e Idea. Francisco de Hollanda e l’estetica del Cinquecento
2004
Art and Ideas Francisco de Hollanda and Sixteenth-Century Aesthetics The historians of aesthetics who have studied the problem of ideas in art theory (from Panofsky to Baeumler and Tatarkiewicz) have overlooked Da pintura antiga, by Portuguese artist and theoretician Francisco de Hollanda (1517-1584), a text where the Platonic notion of idea enters a treatise on art for the first time. The present volume aims to fill such gap by shedding light on an author who has long been overshadowed by the great Michelangelo (whom Hollanda met during his stay in Rome in the years 1538-1540), as well as by advancing an analysis of the aesthetic concepts that emerge not only from Da pintura antiga, but fr…
Akustische Masken auf dem Theater/ Maschere acustiche in teatro: Text - Sprache - Performanz/ Testo - Lingua - Performance
2019
I molteplici interessi scientifici e professionali - teatrologici, storici, linguistici, derivanti dall'attuale prassi attoriale e registica - che sono alla base di questi saggi offrono un quadro sfaccettato e complesso delle riflessioni sul discorso della comunicazione teatrale nei due paesi, le cui peculiarita, piu che le somiglianze, spiccando nel confronto, gettano una luce incrociata particolarmente interessante. Il filo rosso che si intreccia alla trama di questi contributi e senz'altro il complesso rapporto che lega la parola del testo teatrale con quella che si realizza sulla scena, ovverosia cio che in realta si puo definire lo specifico dell'evento teatrale in se, il quale si real…
Tra cielo e terra. La figura dell’artista nel Rinascimento
2012
Nella figura del genio romantico, oltre alla metafora rinascimentale dell’artista–dio (già ampiamente scandagliata), convergono anche altri modelli teorici. Uno di questi attinge alla categoria della feritas, quale dimensione sotto certi aspetti sub umana – se per misurare l’humanitas consideriamo il parametro della ratio – ma al contempo più ampia e più ricca per le suggestioni provenienti dalla sfera dei sensi, dell’istinto e della passione. In questo lavoro si cerca di delineare come la “bestializzazione”, ovvero la degenerazione dei comportamenti umani a uno stato selvatico, costituisca una chiave di lettura per mettere a fuoco le dinamiche simboliche che convergono a delineare l’identi…
Fenomenologia e antropologia
2013
The attempt of this essay is to outline the possible relationships between Anceschi’s neo-phenomenological approach and contemporary anthropology of art. In the first part, the accent is on the definition of art, so as it has been set by some relevant anthropologists, whereas the second part focuses on exposition strategies of museums, and their philosophical implications. The aim is that of showing the fecundity of a perspective that revolves in both cases around the idea of relation and its performativity.
Parco Uditore - Cronaca di una iniziativa popolare con il supporto delle istituzioni
2013
La cronaca del recupero di una area verde pubblica offerta dai cittadini ai cittadini. Un progetto per Palermo
Vaghezze e stravaganze para-letterarie nella critica d’arte anglo-americana. L’art-writing nel secondo Novecento da strategia retorica a genere auton…
2019
Vagueness and para-literary extravagance in the Anglo-American art criticism. Art-writing in the second half of the twentieth century from a rhetorical strategy to an autonomous genre · The essay offers an analysis of the transformations that occurred due to the dynamic artistic debate in the United States in the second half of the 20th century, when art-writing and art criticism were constantly subject to redefinition with regard to an object – the artwork – which was gradually becoming undetermined. Retracing the evolution of the reflections on art criticism, the paper shows how it progressively tended towards a form of autonomous narrative taking the steps from art – employing vagueness …