Search results for " Letterature comparate"

showing 10 items of 540 documents

Vies possibles. Autofiction et biofiction

2021

In my intervention, I wish to offer a reflection on two contemporary literary genres in prose which concern the narration of individual life in a creative way and which are located at the crossroads between fiction and history: namely, autofiction and biofiction. My intention is to distinguish, to simplify, to avoid listing genuine autofiction and biofiction and, above all, to focus on a sample of texts that will help me present useful reflections on the theoretical categories of autofiction. and biofiction. Dans mon intervention, je souhaite proposer une réflexion à propos de deux genres littéraires contemporains en prose qui concernent la narration de la vie individuelle d’une manière cré…

Settore L-FIL-LET/14 - Critica Letteraria E Letterature ComparateAutofiction biofiction littérature et temoignage littérature française
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Pasolini fifty years ago: "MI è tornata la fantasia del narratore"

2014

Republishing and commentary of a conversation about novel between Alfredo Barberis and Pier Paolo Pasolini

Settore L-FIL-LET/14 - Critica Letteraria E Letterature ComparateBarberis Pasolini Novel
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Roland Bartes e la mistica

2010

Settore L-FIL-LET/14 - Critica Letteraria E Letterature ComparateBarthes mistica
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Dubreuilh lo stacanovista. Dai Mandarini di Beauvoir

2018

About "Les Mandarins" by Simone de Beauvoir

Settore L-FIL-LET/14 - Critica Letteraria E Letterature ComparateBeauvoir Novel
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Il disagio esistenziale finalmente affidato agli agi romanzeschi

2014

About a novel published posthumous by Simone de Beauvoir

Settore L-FIL-LET/14 - Critica Letteraria E Letterature ComparateBeauvoir Novel
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Alan Bennett, Due storie sporche

2011

About Bennet’s short stories.

Settore L-FIL-LET/14 - Critica Letteraria E Letterature ComparateBennet Short Story
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Il Polar prima del Polar: il poliziesco italo-americano tra fine Ottocento e gli anni Trenta del Novecento

2018

Tra la fine dell’Ottocento e gli anni Trenta del Novecento, alcuni Italiani immigrati negli Stati Uniti – quali, fra gli altri, Bernardino Ciambelli, Italo Stanco, Garibaldi Marto Lapolla, Louis Forgione, nonché il sodalizio letterario costituito da Michael Fiaschetti e Prosper Buranelli – si sono cimentati nel genere del poliziesco con alcuni testi che, partendo da alcune delle caratteristiche tipiche del Mystery, quali la serializzazione e l’incardinamento della fabula in uno specifico contesto urbano, insieme ad alcuni degli elementi caratteriali dei personaggi dell’Hard boiled non perdono mai di vista la peculiare ‘missione’ di denuncia politica, economica e sociale. Facendo del problem…

Settore L-FIL-LET/14 - Critica Letteraria E Letterature ComparateBetween late XIX and the first 30 years of the XX Century some Italians immigrated to the United States – such as Bernardino Ciambelli Italo Stanco Garibaldi Marto Lapolla Louis Forgione Michael Fiaschetti and Prosper Buranelli – wrote some texts that starting from the typical features of Mystery (serialization and incardination of the fabula in a specific urban context) together with some of the characteristic elements of the Hard boiled never lose sight of the peculiar 'mission' of political economic and social denunciation. Taking the political and social problems as the primary key of their works these writers want to remove the defamatory role attributed by the public opinion fomented by the press to Italian immigrated community. Their works don’t have the main intent to stage detectives that can solve a case or unmask a culprit but rather they aim to denounce social distortions corruption and injustices suffered by an entire community and not least to indicate the picture of what on the contrary that same society could have been.
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Letteratura comparata

2001

Settore L-FIL-LET/14 - Critica Letteraria E Letterature ComparateBibliografia Letteratura comparata Italia Francia
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Verso una topica dell'immaginazione

2020

In this paper I will outline a genealogy which could contribute to Siri Hustvedt’s very important statement in her essay Three Emotional Stories: Reflection on Memory, the Imagination, Narrative, and the Self (2011): ‘Writing fiction is remembering what never happened.’ Hustvedt’s essay offers a wonderful analysis of the role of memory and imagi- nation in narrative. But how to situate their very space in human behaviour and mind? Can we outline a topic of imagination in its relation with memory? I suggest that an appropriate blend between the long tradition of philosophical anthropology and the new neuroscientific interpretations of embodied simulation could help us to refine our concepts …

Settore L-FIL-LET/14 - Critica Letteraria E Letterature ComparateBiopoetics Hustvedt Imagination Gehlen
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Paperbodies:Weibliche Biopoetik

2014

Settore L-FIL-LET/14 - Critica Letteraria E Letterature ComparateBiopolitica Biopoetica Letteratura
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