Search results for " art history"

showing 10 items of 1159 documents

Le statut du musicien dans l’Occident médiéval : méthodes, typologies, figurations, pratiques sociales

2013

International audience; no abstract

HistoireHistoire de l'art[ SHS.HIST ] Humanities and Social Sciences/HistoryMusique[SHS.HIST] Humanities and Social Sciences/History[ SHS ] Humanities and Social Sciences[SHS.ART] Humanities and Social Sciences/Art and art history[SHS] Humanities and Social Sciences[ SHS.ART ] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art history[SHS.HIST]Humanities and Social Sciences/HistoryComputingMilieux_MISCELLANEOUS[SHS]Humanities and Social Sciences
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Les images des musiciens (1200-1400)

2011

International audience; Traduction de l'ouvrage : Atlante Storico della Music anel Medioevo, Milano : JacaBook, 2011.

HistoireHistoire de l'art[ SHS.HIST ] Humanities and Social Sciences/HistoryMusique[SHS.HIST] Humanities and Social Sciences/History[ SHS ] Humanities and Social Sciences[SHS.ART] Humanities and Social Sciences/Art and art history[SHS] Humanities and Social Sciences[ SHS.ART ] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art history[SHS.HIST]Humanities and Social Sciences/History[SHS]Humanities and Social Sciences
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Pratiques archivistiques et mises en registre à Cîteaux : des originaux au « monument » de Jean de Cirey (XIIe – début XVIe siècle)

2013

International audience

HistoireMoyen Âge[ SHS.HIST ] Humanities and Social Sciences/History[SHS.HIST] Humanities and Social Sciences/History[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art history[SHS.HIST]Humanities and Social Sciences/HistoryComputingMilieux_MISCELLANEOUS
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Cinéma, art et industrie

2016

International audience

Histoire[ SHS.HIST ] Humanities and Social Sciences/History[SHS.HIST] Humanities and Social Sciences/History[SHS.ART] Humanities and Social Sciences/Art and art history[SHS] Humanities and Social Sciencescinéma[SHS.ART]Humanities and Social Sciences/Art and art history[ SHS.ART ] Humanities and Social Sciences/Art and art history[SHS.HIST]Humanities and Social Sciences/HistorySociologie de l'artComputingMilieux_MISCELLANEOUScultureart
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Introduction

2012

Histoire[SHS.HIST] Humanities and Social Sciences/HistoryArtisteImage[SHS.ART] Humanities and Social Sciences/Art and art history
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Disegno geometrico e storia dell’arte nell’accademia di Pietro Selvatico (1849-1859)

2016

This book chapter investigates Pietro Selvatico Estense's position as director of the Venice Academy of Fine Arts (1849-1859). During this period art history classes and linear drawing have been strengthened within the academic curriculum.

History of art historySettore L-ART/04 - Museologia E Critica Artistica E Del RestauroArtist's educationLinear DrawingSettore L-ART/03 - Storia Dell'Arte ContemporaneaVenice Academy of Fine ArtsArt libraries
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Will they, won’t they? Dream sequences and virtual consummation in the series Moonlighting

2021

The 1980s series Moonlighting was one of the first dramedies on the small screen; it took its cue from venerable genres like the screwball comedy or the hard-boiled novel (particularly The Thin Man) and translated them to television’s changing structures and aesthetics, participating in what has been termed the second Golden Age of television. However, the Nick and Norah Charles of Moonlighting, David and Maddie, were not married: on the contrary, the series was largely fuelled by the tension between the two leads, who were constantly sparring but were seemingly drawn to one another. Though this romantic tension has long been a staple of the silver screen, translating it into weekly episode…

HistoryDance[SHS.LITT]Humanities and Social Sciences/Literaturemedia_common.quotation_subjectlcsh:HM401-1281dream sequence050801 communication & media studiesDiegesis[SHS.LITT] Humanities and Social Sciences/Literature0508 media and communicationsSilver screenmedicinegenderNarrativeDreamConsummationComputingMilieux_MISCELLANEOUSmedia_commonDisappointmentsérie téléviséeséquences de rêve05 social sciencesGeneral Engineering[SHS.ART]Humanities and Social Sciences/Art and art history16. Peace & justiceComedylcsh:Sociology (General)Aesthetics[SHS.ART] Humanities and Social Sciences/Art and art historyTV seriesmedicine.symptomMoonlighting
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La cattedrale di Troina: prima sperimentazione architettonica Normanna in Sicilia

2019

International audience; At the time of the conquest of Sicily, ruled by Arabs for two centuries, Roger de Hauteville placed in Troina his first capital (1062), made the town becoming episcopal see. For this purpose, he founded in the town a cathedral church, too. However, the original aspect of the building changed deeply because of earthquakes: collapse and significant alterations occurred between the 15th and 18th centuries, causing the current architectural form. In this paper, thanks to the study of sources, the direct analysis of the building and the interpretation of the new acquired informations, some aspects of building's architectural history are clarified; in addition, a new hypot…

HistoryHistoryarchitectureVisual Arts and Performing Arts[SHS.ARCHEO]Humanities and Social Sciences/Archaeology and PrehistoryInterpretation (philosophy)Context (language use)Ancient history11th century[SHS.ART]Humanities and Social Sciences/Art and art historyHistory of architectureCONQUESTCapital (architecture)ArchitectureDirect analysisTroinaSicily
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Dal kētos al sēnmurv? Mutazioni iconografiche e transizioni simboliche del kētos dall’Antichità al Medioevo (secolo XIII)

2016

Using literary and iconographic sources the paper discusses the image of kētos from Antiquity to Middle Ages. The kētos, according with Greek literature, was used in the myths of both Perseus and Andromeda and Heracles and Hesione. The archaic images of the sea-monster are identifiable on Corinthian vases, on which we have only heads of leonine form. From 5th century the classical type of kētos is distinguished from all other Greek sea-monsters by a long neck, fins (also like wings), long muzzle and corrugated upper surface (like a crocodile), and leonine forelegs. Separated from histories of Andromeda and Hesione, the kētos is represented as a mount of marine gods and, especially, Nereides…

HistoryVisual Arts and Performing Artsmedia_common.quotation_subjectsenmurv[SHS]Humanities and Social SciencesJonahketos[ SHS ] Humanities and Social SciencescetusMiddle AgesArtictectureGreek literatureMedieval bestiaryComputingMilieux_MISCELLANEOUSmedia_commonHistoire de l'artcetus kētos Jonah Medieval bestiary sēnmurv simorgh whaleArtMythology[SHS.ART]Humanities and Social Sciences/Art and art historywhale[ SHS.ART ] Humanities and Social Sciences/Art and art historysimorghcetus ketos Jonah Medieval bestiary senmurv simorgh whaleSettore L-ART/01 - Storia dell'Arte Medievale[SHS.ART] Humanities and Social Sciences/Art and art history[SHS] Humanities and Social SciencesCartographyHumanities
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Mind the Gap: The Big House in Cinematic Representations of the Anglo-Irish War

2018

It goes without saying that the Big House was intended to be a symbol: as more than one critic has remarked, these houses really were only “big” in comparison to the poverty of the lesser structures that surrounded them. They were to be a bastion for British and Anglo-Irish culture and a center for social and administrative interactions. In this sense, they straddled the gap between the towns of Dublin and London, whence their power came, and the villages to whom they administered: it is no coincidence that these garrisons of British power bore the brunt of Republican anger during the Troubles of 1919-1921. Examining two of the rare films to focus on the War of Independence from the perspec…

History[SHS.LITT]Humanities and Social Sciences/Literaturemedia_common.quotation_subjectWar of IndependenceBig HouseRepresentation (politics)Power (social and political)[SHS.LITT] Humanities and Social Sciences/LiteratureIrishheritage filmEconomic historyWind that Shakes the BarleyLand tenureComputingMilieux_MISCELLANEOUSmedia_commonTroubles1. No povertyWar of independenceAnglo-Irish WarThe Last September (film)[SHS.ART]Humanities and Social Sciences/Art and art history16. Peace & justiceIndependencelanguage.human_languageSymbolSpanish Civil Warlanguage[SHS.ART] Humanities and Social Sciences/Art and art history
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