Search results for "VALENCIA"

Percepción del alumnado sobre evaluación formativa y compartida: conectando dos universidades a través de la Blogosfera

2017

The aim of this study was to evaluate differences in physical education students’ perception on an educational innovation based on formative and peer assessment through the blogosphere. The sample was made up of 253 students from two Spanish universities. Data was collected using a self-reported questionnaire and t tests were employed in order to find differences among students’ groups. Results show significant differences in almost all of the items on which the students were questioned. Basque students were more satisfied with the assessment tool used than the Valencian students. Students found the blogosphere more active, meaningful, functional and motivating and that it made for collabor…

Privilegi. 1640.05.16

Sign. : A10 Port. amb orla tip. i esc. xil. de la ciutat

Por Geronimo Sent Andreu ... en apoyo de la Consuetud que ay en la Ciudad deXativa de admitir los Señores de molinos a los Oficios mayores de aquell…

1667

Sig.: []2, B-H2 Port. amb orla i grav.

Por el Dotor Luis Pastor y Bertran, pauordre de la Metropolitana Iglesia de Valencia, con el Doctor Ioseph Garcia, Arcediano de Alpuente y con los ..…

Precedix al tít.: Ieses [sic], Maria, Iospeh Signat a la fi pel Doct. Melchor Calbo i el Doctor y pavorde Luis Pastor i Bertran Grav. a la port. representant a S. Luis Bertrán Errates tip. a la pàg Sign.: [ ]2, B-Z2, Aa-Ff2

[Decisio S. Rotae Romanae coram] R.P.D. Merlino [in causa] Valentina Iurissedendi : Veneris 16. Decembris 1633

1635

Escut papal grav. precedeix al tít. Sign.: [ ]2

[Decisió S. Rotae Romanae coram] R.P.D. Ghisilerio [in causa] Valentina Iurissedendi : Veneris 15. Decembris 1634

1634

Escut papal grav. precedeix al tít. Sign.: [ ]2

Decisio S. Rotae Romanae coram R.P.D. Ghisilerio in causa Valentina Iurissedendi

1635

Escut papal grav. a la port. Sign.: [ ]2

An authentication case study: Antonio Palomino versus Vicente Guillo paintings in the vaulted ceiling of the Sant Joan del Mercat church (Valencia, S…

2012

In 1695, the Valencian artist Vicente Guillo was engaged in painting the vault of the Sant Joan del Mercat church in Valencia, Spain. After preliminary work was carried out, his contract was cancelled. In 1697, Antonio Palomino, renowned for the publication of his technical treatise entitled El Museo Pictorio y Escala Optica, was finally selected as the painter in charge of decorating the vaulted ceiling of Sant Joan del Mercat. This paper reports an analytical study focused on the characterisation and discrimination of the palette and painting procedures used by Palomino and Guillo in the frescoes of Sant Joan del Mercat. For this purpose, Raman spectroscopy combined with light microscopy,…

Applications of the X-ray fluorescence analysis to the cultural patrimony of the Comunidad Valenciana (Spain): Painting, metal and paper

1999

We present examples of the application of the X-ray fluorescence (XRF) to the study of the artistic and cultural patrimony of the Comunidad Valenciana in the following areas: a) Valencian paintings of the XV and XVI centuries; b) silver ornaments coming from Iberian towns (s. III b.C.); c) ink and paper samples in manuscripts and engravings of the XVII and XIX centuries. The non destructive analyses are carried out “in situ” using a XRF system that consists of a tube of X-rays of 50 kV and 1 mA, and a detector of Si(Li) with an energy resolution 140 eV (FWHM at 5.9 keV).

<em>‘Una myga ymatge en paper, de ploma, de mà de Johannes‘.</em> La fugitiva sombra de Van Eyck en la Corona de Aragón a mediados del si…

2016

This paper analyses the mention of a quill drawing attributed to Van Eyck in a Valencian postmortem inventory, dated 1452. The properties belonged to Andreu Garcia, a priest well known in the historical record because of his connections with the most notable artists working in Valencia during the first half of the 15 th century. This reference compels a new examination of the ever more improbable presence of Van Eyck in Aragonese territories. It also offers a new insight into the early imprint of his paintings in these lands, given that the first owner of the drawing was the painter Berenguer Mateu (Jaume Mateu’s brother, likewise a prominent Valencian painter).