0000000000084038
AUTHOR
Mangano D
showing 6 related works from this author
Post-it
2020
The history of the invention of post-it, the famous small piece of yellow paper with a re-adherable strip of glue, help us see how designing can be a way of redesigning more than a creation ex nihilo. A designer is who works on the meaning of things, focusing on the relations an artifact creates with humans and non humans. Standing in front of an object, then, the question changes: not what is design but when.
Provini. Sull'enunciazione fotografica
2020
Before the shutter release subtracts a certain fragment of existence from its continuous becoming, producing that "that-has-been" that Barthes recognized as the very essence of photographic art, the world is in front of the photographer with all its complexity: the infinite things that populate it, the infinite points of view from which it is possible to look at them, the infinite moments that mark their existence. In front of the man with the camera, an infinite number of photographs unfolds, many of which, unfortunately, completely incapable of provoking that jolt you get when an image is really good. How is it possible to describe and analyze photographic production? To think about it, t…
Il senso del dolce
2019
On the basis of which relations does the semiosphere of Sicilian sweets take shape, meant as a coherent structure inside and effective outside it? In what way does each sweet, as a component of this system, take on its virtuality? To what extent does it do so? How cohesive is the system that is created? These are all questions that have repercussions on the cultural value that this particular set of gastronomic products that are sweets produces, ending up by generating within the vast hive of culture a specific field that we have called gastrosphere. Therefore, dealing with the gastrosphere of Sicilian sweets means looking for how these particular elements of the culinary identity of this c…
Propaganda alimentare
2020
How can we investigate the symbolic meaning of food without reading the thoughts of those who eat? The answer can be found in the slogans that advertising proposes. Advertising, in fact, has precisely the role of constructing the "good to think" of which anthropology speaks, and not because of some kind of occult power that is occasionally attributed to it, but because of the social function it performs. What it does is to make a given product relevant within a wider system composed of many others, but also of values, problems, traditions, tastes, disgusts, principles and practices. Advertising has, in a certain sense, made its own the function of the ancient storytellers who, by declaiming…
Cassate, cannoli e altri miti
2020
On the one hand, there are the traditional Sicilian sweets, with their composition, shape and taste; on the other hand, there are the times and the spaces in which they are consumed, but also those in which they are prepared. For each of these aspects, which are not of a linguistic nature, there are multiple discourses that take them as their object, articulating their meaning. The objective of this essay is to put all these heterogeneous sources into dialogue in an attempt to identify the structures they have in common. This research does not aim to establish the origin of the Sicilians' interest in sweets, but rather the way in which in this island, crossroads of many peoples, a system ha…
Quando è design
2020
Quando è design è il titolo di un convegno che, per iniziativa di Paolo Fabbri, si è svolto nel Centro Internazionale di Semiotica dell’Università di Urbino nel settembre del 2018, e che abbiamo organizzato insieme a Dario Mangano con la collaborazione di Projekt (EA 7447), Laboratorio di ricerca in innovazione sociale attraverso il design dell’Università di Nîmes (Francia). Gli articoli presenti in questo numero di Ocula sono il risultato dell’evoluzione delle riflessioni della maggioranza dei relatori presenti al convegno anche in seguito agli scambi iniziati proprio in quell’occasione When is Design, we find those characteristics and values of “design culture” that regard design processe…