0000000000099556
AUTHOR
Maxence Pieters
showing 6 related works from this author
The tools like evidences of metal working? : strike supports, abrasives and burnishers, sharpening tools and crushing tools
2013
Lots of lithic tools are present in Metal Ages, but few are studied. In metal production, they are especially constitued by strike supports, abrasives, burnishers, sharpening tools and crushing tools. A part of them are in metal ( strike supports) or in ceramic (abrasives, sharpening tools). Contemporary forms of these tools are too different to permit a dierct comparison. It is necessary to work on the function of the tools, deduced from the analysis of these structure. Strike supports used for metal working are easily identifiable. They allow to reproduce more or less precisely the objects that they were fabricated with. Abrasives are difficult to relate to a material, but the traces of u…
Outils et ustensiles lithiques : Méthodes de reconnaissance et problématiques. Les nouvelles de l’archéologie
2013
National audience
Nasium : les fouilles du "Cul de Breuil" à Saint-Amand-sur-Ornain (Meuse) : Fouille triennale 2012-2014. Rapport intermédiaire 2012
2011
This report presents the results of a second series of excavations carried out between the oppidum of Boviolles and the ancient city of Nasium. It affects an occupation dated between La Tène D2 and the beginning of the augustean period, characterized by a causeway linking the two entities, a level delivering traces of artisanal activities, wells and a cooking kiln. This occupation is also characterized by the presence of the Roman army embodied in many militaria. This presence is central to the issue of the development of the ancient settlement of Nasium.
Outillage lithique et métallurgie de transformation en Gaule des âge du Fer à l'époque romaine
2015
International audience
Les abrasifs en métallurgie de transformation
2016
International audience
Les caboches romaines de Nasium : approche technique et typologique (Ier siècle av. J.-C. - Ier siècle ap. J.-C.
2016
International audience