Ressenya a I. Grifoll, J. Acebrón & F. Sabaté (eds.), Cartografies de l’ànima, Lleida, 2014; i J. Acebrón, I. Grifoll & F. Sabaté (eds.), La Construc…

2016

Ressenya a Grifoll, Isabel, Julián Acebrón, Flocel Sabaté (eds.) (2014): Cartografies de l’ànima. Identitat, memòria i escriptura, Lleida, Pagès Editors, 2014, 248 pàgs. ISBN:978-84-9975-517-5; i  Acebrón, Julián, Isabel Grifoll, Flocel Sabaté (eds.) (2015): La Construcció d’identitats imaginades. Literatura medieval i ideologia, Lleida, Pagès Editors, 2015, 320 pàgs. ISBN:978-84-9975-704-9 Review to Grifoll, Isabel, Julián Acebrón, Flocel Sabaté (eds.) (2014): Cartografies de l’ànima. Identitat, memòria i escriptura, Lleida, Pagès Editors, 2014, 248 pàgs. ISBN:978-84-9975-517-5; and Acebrón, Julián, Isabel Grifoll, Flocel Sabaté (eds.) (2015): La Construcció d’identitats imaginades. Litera…

"Ut pictura poiesis": text i imatge, mimesi i realitat quant a «Tirant lo Blanch»

2007

The relationship between literature and reality in the Middle Ages can be considered from several dimensions. One of the most important cultural elements of the medieval period is the visual representation of reality found it literary texts, not only through the presence of miniatures in the manuscripts, but especially through the description of realia in the same text. The encyclopedic tradition helps to intertwine this close relationship between the outer representativeness and the inwardness of the text, a new interpretation of the Horacian’s ut pictura poiesis. The «Tirant lo Blanch» is a fictional text full of iconic references to contemporary reality, which in this study are made clea…

Traductologia i discurs

2006

Materials per a l'anàlisi multilingüe i contrastiva de locucions, col·locacions i fraseologia. Un escandall quant a Ausiàs March i «Tirant lo Blanch»

2006

This essay offers a sampling of a multilingual contrastive analysis of poems by Ausiàs March and the ones in «Tirant lo Blanch» (original versions and their respective translations) as regards locutions, collocations and phraseology. These elements are fully characteristic of the literary language of any author and, at the same time, they indicate his degree of command of his vehicular language or of the language for literary creation. In addition, they turn out to be important –and often problematic– questions as far as their translation is concerned, precisely because the text has to be ‘naturalised’ in the receiving language and its cultural tradition. And this is so because, while trans…