0000000000222328
AUTHOR
Arabella León
Interactive Tools for the Visualization of Tangible and Intangible Silk Heritage Emerging from an Interdisciplinary Work
Silk is a unique example of heritage where memory, identity, creativity and knowledge can be found in just one piece. It is a multifaceted, living heritage, as it consists of more than the fabrics themselves, but also the techniques associated with them, historical buildings, trades, festivities, etc. Therefore, designers, weavers, painters, sellers and users are involved in it. However, it is also a fragile heritage, alive in the few industries that still weave with historical looms. Additionally, the COVID19 pandemic has put the entire artisanal and small industrial sector of European silk in risk of disappearing. In this, paper we show some results of the SILKNOW project, whose main obje…
SILKNOW. Designing a thesaurus about historical silk for small and medium-sized textile museums
El ámbito del patrimonio cultural en general, y el de los textiles de seda en particular, se caracterizan por conjuntos de datos amplios, ricos y heterogéneos. El vocabulario del patrimonio de la seda procede de múltiples fuentes que se han mezclado a través del tiempo y el espacio. Esto ha llevado a la utilización de diferentes terminología en organizaciones especializadas para describir sus artefactos. Esto hace que los datos interoperabilidad de los datos entre catálogos independientes. Además, el nivel de interacción de los recursos existentes es bajo, la mayoría de las consultas complejas no son posibles y los resultados se muestran de forma deficiente. En En este sentido, un reciente …
Techonological tools for the conservation of silk Heritage: Improving the conservation of European religious textile cultural Heritage
This paper presents the interdisciplinary H2020 SILKNOW project coordinated by the Universitat de València with researchers from the ICT and SSH fields. SILKNOW is a three-year project funded by the EU's Horizon 2020 Programme under the two-stage call SC6-CULT-COOP-09 'European cultural heritage, access and analysis for a richer interpretation of the past'. The consortium has a total of nine partners from six different European countries (Spain, France, Germany, Slovenia, Poland and Italy). There are a total of three universities, two SMEs, one international institution, and three research institutes. In this paper, we introduce SILKNOW which has as a goal to promote, conserve and dissemina…
El hilo de la historia: del patrimonio mueble al intangible. Rescatando el patrimonio textil sedero
[EN] Silk heritage belongs to the so-called integral heritage type, which means that tangible and intangible elements can be found in one piece. Moreover, silk is a living heritage strongly connected with its community. It is paradigmatic case, where its intangible elements go from literature, to mulberry farming, or traditional weaving techniques. Also, activities surrounding silk trade have left an imprint on various cities in monuments and even marking their town planning. Nowadays, silk is a living heritage in various communities and constitutes an element of creativity that can be appreciated in the current fashion trends. This paper addresses the main results of the SILKNOW project, f…
Weaving words for textile museums: the development of the linked SILKNOW thesaurus.
Abstract The cultural heritage domain in general and silk textiles, in particular, are characterized by large, rich and heterogeneous data sets. Silk heritage vocabulary comes from multiple sources that have been mixed up across time and space. This has led to the use of different terminology in specialized organizations in order to describe their artefacts. This makes data interoperability between independent catalogues very difficult. To address these issues, SILKNOW created a multilingual thesaurus related to silk textiles. It was carried out by experts in textile terminology and art historians and computationally implemented by experts in text mining, multi-/cross-linguality and semanti…
Towards the Preservation and Dissemination of Historical Silk Weaving Techniques in the Digital Era
Historical weaving techniques have evolved in time and space giving as result more or less fabrics with different aesthetical characteristics. These techniques were transferred along the main silk production centers, thanks to the European Silk Road and creating a common European Frame on themes and techniques. These had made it complicated to determine whether a fabric corresponds to one century or another. Moreover, in order to understand their creation, it is necessary to determine the number of weaves and interlacements that each textile has, therefore, mathematical models can be extracted from these layers. In this sense, three dimensional (3D) virtual representations of the internal s…
SPANISH RELIGIOUS TEXTILES FROM THE 18TH AND 19TH CENTURIES THE GARÍN CASE
Clothes and textiles make up a very relevant part or religious cultural heritage. This paper presents a selection of liturgical textiles from the 18th and 19th centuries. They were created by Garín, a Spanish factory still active today. The designs and weaving techniques employed in them have provided the starting point for a research project, SILKNOW, in operation between 2018 and 2021. It aims to apply cutting-edge computing technologies to textile heritage, including the religious and liturgical, and thus establish new historical and artistic connections. The research leading to these results is carried out within the SILKNOW project (¿Silk heritage in the Knowledge Society: from punched…
From Historical Silk Fabrics to Their Interactive Virtual Representation and 3D Printing
The documentation, dissemination, and enhancement of Cultural Heritage is of great relevance. To that end, technological tools and interactive solutions (e.g., 3D models) have become increasingly popular. Historical silk fabrics are nearly flat objects, very fragile and with complex internal geometries, related to different weaving techniques and types of yarns. These characteristics make it difficult to properly document them, at the yarn level, with current technologies. In this paper, we bring a new methodology to virtually represent such heritage and produce 3D printouts, also making it highly interactive through the tool Virtual Loom. Our work involves sustainability from different per…
A Proposal to Model Ancient Silk Weaving Techniques and Extracting Information from Digital Imagery - Ongoing Results of the SILKNOW Project
Three dimensional (3D) virtual representations of the internal structure of textiles are of interest for a variety of purposes related to fashion, industry, education or other areas. The modeling of ancient weaving techniques is relevant to understand and preserve our heritage, both tangible and intangible. However, ancient techniques cannot be reproduced with standard approaches, which usually are aligned with the characteristics of modern, mechanical looms. The aim of this paper is to propose a mathematical modelling of ancient weaving techniques by means of matrices in order to be easily mapped to a virtual 3D representation. The work focuses on ancient silk textiles, ranging from the 15…
A proposal to model ancient silk weaving techniques and extracting information from digital imagery - ongoing results of the SILKNOW Project
Three dimensional (3D) virtual representations of the internal structure of textiles are of interest for a variety of purposes related to fashion, industry, education or other areas. The modeling of ancient weaving techniques is relevant to understand and preserve our heritage, both tangible and intangible. However, ancient techniques cannot be reproduced with standard approaches, which usually are aligned with the characteristics of modern, mechanical looms. The aim of this paper is to propose a mathematical modelling of ancient weaving techniques by means of matrices in order to be easily mapped to a virtual 3D representation. The work focuses on ancient silk textiles, ranging from the 15…