0000000000236437
AUTHOR
Corina Selejan
showing 5 related works from this author
An Interview with Lucian Bâgiu, Author of Bestiary: Oriental Salad with Peacock/Imaginary Academics
2016
“C’est la vie, c’est la narration”: The Reader in Christine Brooke-Rose’s Textermination and David Lodge’s Small World
2016
Abstract This article considers two metafictional academic novels from the reader’s point of view. It argues that this critical vantage point is suggested (if not imposed) by the fictional texts themselves. The theoretical texts informing this reading pertain either to reader response or to theories of metafiction, in an attempt to uncover conceptual commonalities between the two. Apart from a thematic focus on academic conferences as pilgrimages and the advocacy of reading as an ethically valuable activity, the two novels also share a propensity for intertextuality, a blurring of the boundaries between fictional and critical discourse, as well as a questioning of the borderline between fic…
Campus/Academic Novels and “Built-In” Nostalgia
2022
Abstract The present article traces nostalgia across various campus and academic novels published during the last three decades and identifies different kinds of nostalgia – writerly and readerly nostalgia, vicarious nostalgia, ersatz nostalgia – not in the systematic manner of a classification but guided by the novels themselves. The readings are informed by theories stemming from different backgrounds – the social sciences, cultural and literary studies, psychology and cognitive science – in an attempt to create a productive dialogue, one that emphasizes the creative potential of nostalgia.
Fragmentation(s) and Realism(s): Has the Fragment Gone Mainstream?
2019
This article tackles what seems to be a revival of fragmentary fiction in English in the 21st century. It briefly traces the lineage of critical interest in the fragment from German Romanticism through Bertolt Brecht and Modernism to postmodern film studies, in an attempt to highlight not only the temporal, but also the spatial and visual dimension of discontinuity evinced by recent fragmentary fiction. Six novels published between 2005 and 2017 are discussed sequentially, in a manner redolent of cinematic movement: Tom McCarthy’s Remainder 2005, Anne Enright’s The Gathering 2007, Yaa Gyasi’s Homegoing 2016, Mohsin Hamid’s Exit West 2017, Ali Smith’s Autumn 2016, and George Saunders’s Linco…