0000000000238337

AUTHOR

Giannitrapani

showing 3 related works from this author

Ti ho incocciato: costruire identità intorno al cuscus

2019

I ricettari siciliani presentano il cuscus come un baluardo identitario della cucina isolana, ma anche come un piatto estremamente complicato da replicare. Gli enunciatori stessi sembrano essere messi a dura prova dalla lunga ed elaborata preparazione: devono avventurarsi in complicati giri di parole per rendere l’idea di quali sintagmi gestuali siano richiesti al cuciniere, devono spiegare la conformazione e la composizione degli strumenti da utilizzare, devono sistematizzare i passi da compiere dosando come sempre ciò che va detto e ciò che invece può esser dato per scontato. Ben più semplice è cucinare il cuscus con la semola precotta, pronta in poco tempo e da condire a piacimento: la r…

semiotica cibo cultura identità alimentazioneSettore M-FIL/05 - Filosofia E Teoria Dei Linguaggi
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Dal tavolo alla città (e ritorno)

2021

Restaurants transform themselves over time and at the same time they transform their relationship with the city, the practices of food consumption, and convivial rituals of everyday life. We will investigate these phenomena starting from the table, a key element of any restaurant activity. The table has to be considered here as a "political" device, an instrument for the prefiguration and shaping of convivial relations. Our exploration will start from the zero degree of the restaurant, in its most traditional manifestation, and then will be extended to the different forms of food consumption that we can experience today in our cities.

Semiotics of food table foodification restaurants citiesSettore M-FIL/05 - Filosofia E Teoria Dei Linguaggi
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Don't skip intro. Sigle da non perdere

2019

In recent years, TV series have gained a central role among the classic TV genres. They have become more and more elaborate, strategically edited, catching both the critics and the audiences’ eyes. Many «surrounding» texts have contributed (and contribute) in making them popular and, among these texts, the opening credits play a special part. At the beginning of television history, opening sequences were brief and marginal texts aimed at informing the viewer about the cast and the contents he was going to watch. Nowadays they are refined products, designed to present, seduce, involve and facilitate the viewer’s entry into the story. In this paper, we will focus on these brief yet rich kind …

Opening Credits TV Series Paratexts Communicative PactsSettore M-FIL/05 - Filosofia E Teoria Dei Linguaggi
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