0000000000340627

AUTHOR

Antonio Zambudio Moreno

showing 2 related works from this author

Mariano Benlliure Gil, artífice de la recuperación del patrimonio escultórico para la Cofradía California de Cartagena

2020

After the patrimonial destruction that took place during the Civil War of 1936-1939 in the city of Cartagena, religious art and especially sacred sculpture, is greatly affected. The artistic expressions that the Passionist entities took to the streets on the days of Holy Week, disappear almost in their entirety, having to start a tremendously costly reconstruction process in order to alleviate the losses suffered. The Cofradía California commissioned the renovation of its sculptural patrimony heritage, which came to replace the wealth of the works of Salzillo, to the Valencian artist Mariano Benlliure Gil. All this process is the one studied in this article, keeping in mind the different bi…

religious art and especially sacred sculpturehaving to start a tremendously costly reconstruction process in order to alleviate the losses suffered. The Cofradía California commissioned the renovation of its sculptural patrimony heritageUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASis greatly affected. The artistic expressions that the Passionist entities took to the streets on the days of Holy Weekto the Valencian artist Mariano Benlliure Gil. All this process is the one studied in this articleartífice de la recuperación del patrimonio escultórico para la Cofradía California de Cartagena Zambudio MorenoAntonio After the patrimonial destruction that took place during the Civil War of 1936-1939 in the city of Cartagena0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707989 Mariano Benlliure Gil:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]as well as the documentation found in the archive of the Brotherhood itself for an effective analysis of the cause and the insertion of an artistic language that responded to the postulates proclaimed by the society of that t 263 277disappear almost in their entiretywhich came to replace the wealth of the works of Salzillokeeping in mind the different bibliographical sources on this topic
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José Capuz: el vanguardismo en la escultura religiosa de Cartagena anterior a la Guerra Civil

2021

Con el crecimiento exponencial de las procesiones de Semana Santa en la ciudad de Cartagena durante las primeras décadas del siglo XX, dado el apoyo recibido por la creciente burguesía minera, la Cofradía más antigua de la ciudad, la de Nuestro Padre Jesús Nazareno, vulgo Marrajos, recibe el impulso necesario para la renovación de su patrimonio escultórico. Para realizar esta ingente labor, contactan con José Capuz Mamano a fin de unificar su estética y dotar de un carácter único a sus desfiles de Viernes Santo. Esta circunstancia se expone en este texto, estudiando las imágenes de talla completa llevadas a efecto por este artífice antes de la Guerra Civil, pues suponen la ruptura con lo pr…

UNESCO::HISTORIAjosé capuzescultura religiosacofradía marrajajuan antonio gómez quilesmodernidadvanguardia:HISTORIA [UNESCO]
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