0000000000406540
AUTHOR
Ana Luiza Valverde Da Silva
showing 3 related works from this author
Análisis semiótico de la película Dios y el diablo en la tierra del sol, de Glauber Rocha
2015
ABSTRACT In 1964, Glauber Rocha wrote and directed a movie “Black God, White Devil”. It was in the same year that Brazil suffered military coup. At that time, talks about politics or social problems were a messy affair due to the strong threat of repression. This film communicates the dichotomy between good and evil, cultured and uncultured, order and disorder, social differences, the symbolic constructions of space as semiosfera, the borders and chaos. For the director, religion is closely related to politics. It is stated the desire for power between the political-social (interest of landowners on workers) and religious (interest of preachers over believers). This analysis runs on such sy…
Análise semiótico e discursivo dos filmes: "Deus e o diabo na terra do Sol" e "O dragão da maldade contra Santo Guerreiro", de Glauber Rocha
2016
ABSTRACT In 1964, Glauber Rocha directed the film Black God, White Devil year when Brazil suffered a military coup state. Due to strong censorship at the time, the dialogue about political or social issues was forbidden. Despite all that chaos, Glauber Rocha wrote and directed Black God, White Devil and Antonio das Mortes that deal with the dichotomy between good / evil, educated / uneducated, order / disorder, the social, the symbolic constructions of space as semiosphere, borders and their breaks causing chaos. For the director, religion is closely related to politics. The desire for power is enshrined in relations: political and social (interest of the owners on the workers) and religiou…
Análisis semiótico y discursivo de las películas Dios y el Diablo en la Tierra del Sol y Antonio das Mortes, de Glauber Rocha
2017
Resumen: Glauber Rocha propone dos películas que reflexionan sobre la distribución social y el sistema social regente en Brasil, si bien los orígenes de las películas no son similares. Las concepciones estéticas son distintas, las relaciones entre el cangaço (movimiento revolucionario del nordeste de Brasil), mesianismo y el personaje Antonio das Mortes son abordadas en diferentes momentos sociales e históricos. La película Dios y el Diablo en la tierra del sol, de 1964, se integra en el contexto de la estética del hambre, y es signo del instrumento revolucionario, vanguardista de una visión cinematográfica anterior al golpe militar. En cambio, la película Antonio das Mortes, de 1969, nace …