0000000000450927
AUTHOR
Jean-daniel Talma
showing 3 related works from this author
Digital and handcrafting processes applied to sound-studies of archaeological bone flutes
2016
International audience; Bone flutes make use of a naturally hollow raw-material. As nature does not produce duplicates, each bone has its own inner cavity, and thus its own sound-potential. This morphological variation implies acoustical specificities, thus making it impossible to handcraft a true and exact sound-replica in another bone. This phenomenon has been observed in a handcrafting context and has led us to conduct two series of experiments (the first-one using handcrafting process, the second-one using 3D process) in order to investigate its exact influence on acoustics as well as on sound-interpretation based on replicas. The comparison of the results has shed light upon epistemolo…
Artisans-chercheurs -- Récit d'une expérience d'apprentissage en lutherie des flûtes populaires et de ses implications dans la recherche archéomusico…
2016
International audience; Cet article présente l’expérience et le vécu d’un apprentissage artisanalinséré au sein d’une recherche doctorale en tant qu’élémentméthodologique et épistémologique. À travers les prismes de l’ethnographieet des sciences cognitives, nous nous attacherons donc à endécrire l’organisation et la faisabilité (dans l’espoir de fournir quelquesclefs afin qu’une telle expérience puisse être renouvelée par d’autresque nous) ainsi que les effets et apports mutuels (dans la productionde l’artisan d’une part, et dans la recherche universitaire d’autre part).
Digital and Handcrafting Processes Applied to Sound-Studies of Archaeological Bone Flutes
2016
Bone flutes make use of a naturally hollow raw-material. As nature does not produce duplicates, each bone has its own inner cavity, and thus its own sound-potential. This morphological variation implies acoustical specificities, thus making it impossible to handcraft a true and exact sound-replica in another bone. This phenomenon has been observed in a handcrafting context and has led us to conduct two series of experiments (the first-one using handcrafting process, the second-one using 3D process) in order to investigate its exact influence on acoustics as well as on sound-interpretation based on replicas. The comparison of the results has shed light upon epistemological and methodological…