0000000000463559
AUTHOR
Annie Brudo
showing 13 related works from this author
Du roman à la scène: François le Champi de George Sand
2012
L'articolo esamina le scelte e le trasformazioni operate da George Sand per l'adattamento del romanzo François le Champi nella versione teatrale; si mostrano le analogie e le differenze che risultano dal passaggio della modalità narrativa alla modalità scenica, concentrandosi in particolare sulle modificazioni effettuate nelle categorie tradizionali dell'azione, dei personaggi, del tempo e dello spazio. Si ci concentra infine sul linguaggio teatrale che, destinato alla rappresentazione, richiede un efficace concatenamento e maggiori effetti stilistici.
Le voyage français en Italie au XX siècle: 1961-1980
2007
Charles-Simon Favart, traducteur de 'La Serva Padrona'
2004
De "Moira" à "l'Etudiant roux": une adaptation théatrale de Julien Green
2004
L''articolo prende in considerazione la trasposizione di un romanzo di Julien Green, Moira, nella pièce "L''Etudiant roux". Si esamina attraverso questo confronto, la delicata questione della trasposizione da un genere all''altro. Nel caso specifico, la pièce del noto romanziere, mostra evidenti debolezze e non regge il confronto con il romanzo, di cui si perdono le più interessanti caratteristiche.
Claudie, un "rurodrame" de George Sand
2006
This article examines a theatrical work of George Sand, Claudie, performed the 11th January 1851 on the theatre of Porte Saint Martin in Paris. The analysis concentrates at first on the modalities of writing of this theatre, and secondly on the relation of the famous novelist with the dramatic art, for which she had a great passion but the processes of which she did never come out very well. Claudie was successful for the large audience but the critics were more cautious. The play, all the same, marks a renewal of theatrical art for which George Sand will be always a careful promoter.
le théatre de frontière de George Sand(1840-1852)
2009
This article examines the theatre of George Sand and the relation that the famous novelist entertained with the dramatic art, for which she had a great passion but the processes of which she did never come out very well. Many plays were successful for the large audience but the critics were more cautious. Her theatre, all the same, marks a renewal of theatrical art for which George Sand will be always a careful promoter.
L'Etna, icône de l'amour dans 'Romuald' d'Astolphe de Custine
2004
"L'Etna est le roi de la Sicile...": images du volcan chez quelques voyageurs français en Sicile au XIXe siècle
2004
Entre mythes et poncifs: la Sicile des voyageurs français dans les années 60-70
2007
Le langage en représentation. Essai sur le théâtre de Balzac
2004
This study considers a neglected aspect of the work of Honoré de Balzac: his theatrical production. The study does not take into account the sketches (more than one hundred), left incomplete by the writer, but analyzes a corpus of seven pièces staged in Paris. The study is particularly concerned with the specificities of the writing and the dramatic representation, but also the particular use of theatrical language by the writer. It is a pluralistic and minute reading also tending to show that Balzac’s theatre, despite its weakness, perfectly fits into the famous writer’s conception of art and literature and hence constitutes an essential part of his work.