0000000000469903
AUTHOR
Isabelle Schmitt-pitiot
showing 18 related works from this author
Transwoman Who Kills
2016
International audience
Du contrat dans le western, de Ford à Eastwood, de My Darling Clementine (1946) à Unforgiven (1992)
2013
International audience
The Great Chinese Box Illusion: Woody Allen and The Spectacle of Magic
2017
International audience
De l'intime dans le cinéma anglophone
2015
International audience; La notion d’intime, qui touche au secret des oeuvres et des êtres, n’est pas toujours associée au cinéma anglophone, en particulier aux productions hollywoodiennes caractérisées par une prédominance du récit peu propice aux scènes d’intimité. Cette tendance qui tient à la nature même du dispositif cinématographique et a fait son attrait dès les origines, ainsi que les contradictions entre exhibition et censure, révèlent cependant l’importance de cette question au sein de la production anglophone. Si les documentaires, les archives familiales ou les films underground paraissent relever naturellement d’un cinéma de l’intime, les oeuvres de fiction, classiques ou contem…
Ang Lee : Retenue, réticence... et le reste est silence
2017
International audience
Comment les séries font une fin : Urgences et Les Soprano. . Rouen. 12-14 septembre 2012
2012
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En mémoire de… : The Dead, de James Joyce à John Huston
2014
International audience
Soignants et soignés en séries : Docteur Carter et Nurse Jackie
2016
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Officers and Doctors : M.A.S.H., de Robert Altman (1970) à CBS (1972-1983)
2016
International audience
Un contrat, un défi : s’orienter dans le jardin de Meurtre dans un jardin anglais.
2011
International audience
Diane Keaton, Mia Farrow, Scarlett Johansson: Three Women in Woody Allen's Comedies
2015
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Law and Disorder in Harlan County: What Justifies Raylan Givens?
2014
International audience
A genre and a limit: Across the Rio Grande border: A study of Tommy Lee Jones' 2005 film "The Three Burials of Melquiades Estrada"
2010
Attempting to answer the deceptively simple question of how far Tommy Lee Jones' 2005 film "The Three Burials of Melquiades Estrada" can be described as a western will give an opportunity to explore some features of the genre, especially the geography of the Western, as well as study a few stories set in typical landscapes, focussing on the border between the United States and Mexico. That major locus in northern as well as mid-American imagination and culture is also the setting of a number of westerns and especially of John Ford's Rio Grande (1950), the source of our title as well as a fascinating inter-text to Tommy Lee Jones' work. A post mortem western, The Three Burials of Melquiades …
Deux filles de marbre : …All the Marbles, Robert Aldrich, 1981.
2013
International audience
•Too Much Double Indemnity: Manhattan Murder Mystery (Woody Allen, 1993) or the spectators’ multiple lives.
2012
International audience
Muréna en Amérique, censure et bande dessinée historiques aux Etats-Unis
2015
The study begins with an analysis of the reasons why the images of the American version of Murena are censored, with modest veils being thrown upon any instance of nudity while this version rather emphasizes the violence of the graphic novel in its translation and adaptation choices. That paradoxical attitude is discussed in the context of the ambiguities developed in the US culture as regards the representation of nudity being a reminder of the human species’ animal dimension in a society still fraught with puritanical assumptions. Although those ambiguous choices may be ascribed to the publisher’s wish to adapt Murena to the young readers regarded as their main target, they may also repre…
Intimacy in Cinema: Critical Essays on English Language Film
2014
International audience; Though intimacy has been a wide concern in the humanities, it has received little critical attention in film studies. This collection of essays investigates both the potential intimacy of cinema as a medium and the possibility of a cinema of intimacy where it is least expected. As a notion defined by binaries--inside and outside, surface and depth, public and private, self and other--intimacy, because it implies sharing, calls into question the boundaries between these extremes, and the border separating mainstream cinema and independent or auteur cinema. Following on Thomas Elsaesser's theories of the relationship between the intimacy of cinema and the cinema of int…
Un Eden bien jardiné : l’allée des glycines de Desperate Housewives
2017
International audience