0000000000479410
AUTHOR
Giusy Caruso
Entretien avec Marianne Schroeder
Interview with Nimrod Borenstein, composer
CARUSO, Giusy: Davide Anzaghi: Piano Works (1971/2016), CD, Da Vinci Classics, Milano, 60’, 2018
Intervista al Maestro Giovanni Bellucci
PUTIGNANO, Biagio (Werke von/Works): Lob der musik, CD. Etichetta AMBIENTE AUDIO (DE), 2019
GRANDE, Antonio: Una rete di ascolti. Viaggio nell?universo musicale neo-riemanniano
Nimrod Borenstein Orchestral Works Label: Chandos 2017
Performing arts and mediation technology in the period of lockdown
Advancements in digital technologies have become novel ways to enrich communication, expression, and transmission of arts knowledge. Technology is increasingly implemented in the performance space, as a source of inspiration for artists. Especially in this period of lockdown, mediation technology has turned out to be an essential tool for different aspects of social life, as in performing arts. With venues, schools and artistic activities closed, performers, students and spectators have been obliged to keep connecting in remote conditions. This article wants to retrace the aesthetic impact of mediation technology in performing arts during this period of lockdown by focusing on the aspects t…
Nuove frontiere per la metodologia di ricerca sull’esecuzione musicale: il connubio tra arte e scienza
Music performance analysis is today a shared territory of research for musicians-researchers and scientists. On the one hand, artist-researchers are discussing on the possibilities to apply empirical methods in order to give objective validity to the artistic investigation on music performance. On the other, scientists recognize the need to integrate the artistic perspective in the analysis and interpretation of the quantitative data, related to musical performance (such as the tracking gesture and the audio detections). To define the path that determines the transformation of music performance practice into a research on music performance, this article highlights the problems related to th…
Il fascino dell’intuizione femminile: Marie Trautmann (in Jaëll), pianista, pedagoga e ricercatrice
Over the centuries, the differences between genders have led to strong disparities for the assertion of women’s artistic value. In the history of music, in particular, many women musicians did not get the right recognition because of a cultural context that could not enhance their work. This is the case of Marie Trautmann, better known as Marie Jaëll (1846-1925), wife of the Austrian concert pianist Alfred Jaëll (1832-1882). Trautmann is a 19th century woman-musician and an important figure in the history of music still to be discovered, not only for her activity as concert pianist, composer, pedagogue, but mainly for her empirical research work, which aimed at improving the piano technique…