0000000000498236
AUTHOR
Jorge Martínez-moreno
La placa grabada de Balma Guilanyà (Prepirineo de Lleida) y las manifestaciones artísticas del Mesolítico de la Península Ibérica
A carved rock with geometric and/or abstract signs discovered at the Balma Guilanyà site has made possible the analysis of the artistic patterns developed after the end of the Upper Palaeolithic in the Iberian Mediterranean region. Archaeo-stratigraphic, chronometric and chrono-cultural attributes link this finding to the Mesolithic, probably during the tenth millennium cal BP. Graphic analysis and the comparison with different kinds of representations from this same area allows the evaluation of the problematic that surrounds the characterization of West Mediterranean Mesolithic art.
Survival of Late Pleistocene Hunter-Gatherer Ancestry in the Iberian Peninsula
The Iberian Peninsula in southwestern Europe represents an important test case for the study of human population movements during prehistoric periods. During the Last Glacial Maximum (LGM), the peninsula formed a periglacial refugium [1] for hunter-gatherers (HGs) and thus served as a potential source for the re-peopling of northern latitudes [2]. The post-LGM genetic signature was previously described as a cline from Western HG (WHG) to Eastern HG (EHG), further shaped by later Holocene expansions from the Near East and the North Pontic steppes [3, 4, 5, 6, 7, 8, 9]. Western and central Europe were dominated by ancestry associated with the ∼14,000-year-old individual from Villabruna, Italy…