0000000000505434
AUTHOR
Jean-bernard Bluntzer
DESIGN BY MATERIAL: FROM MATERIAL TO FORM THROUGH CAD MODELLING
AbstractFor Aristotelian scholars, matter is identified as the subject of change, while form is the boundary of matter. Design is a process of bringing about change. From a design perspective, material is what an entity is made from; form is what makes a thing what it is. Based on the principle, “form is the boundary of matter”, this paper proposes a Design by Material method, thereby addressing the knowledge gap of a systematic method for designing according to material. This method is predicated on the material specification as the first input in the design process. A formal model is built in which the material acts as a trigger and driver for the design process. The method is implemented…
From the Car Style Pregnancy towards the Brand Country Origin Recognition
AbstractIn the modern automotive industry, a car's style clearly defines its brand. In the context of globalization, a question has recently emerged concerning the relationship between a country's culture and the car style of a particular brand. The style is one way to place car morphologies into a meaningful structure, called the “telling structure.” This research hypothesizes that a stylist tries to compress a car's form and make it a refined unicum that is streamlined with some inherent features, which express a brand's cultural aesthetics. Using the cognitive paradigm that an end user transforms explicit references into implic-it references and that the telling structure of a car's desi…
Emotional Design: Discovering Emotions Across Cars’ Morphologies
The primary focus behind the overall design involves shifting from a designer-centric concept to a user-centric one. In essence, cars are utilitarian from an engineering point of view and symbolic-emotional from a social point of view. The modern car retains a strong social position and also generates vivid emotions. The tellability of a car is the priority when communicating with a customer. As a result, this paper proposes a computational approach towards studying the relationship between car morphology and the aforementioned produced emotions. Emotions are considered self-measurable and physiologically distinct. Each car is thus self-evaluated emotionally by a panel of potential users. T…
Car style-holon recognition in computer-aided design
Abstract Multi-scale design can presumably stimulate greater intelligence in computer-aided design (CAD). Using the style-holon concept, this paper proposes a computational approach to address multi-scale style recognition for automobiles. A style-holon is both a whole—it contains sub-styles of which it is composed—as well as a part of a broader style. In this paper, we first apply a variable precision rough set-based approach to car evaluation and ranking. Secondly, we extracted and subsequently computed the each car's characteristic lines from the CAD models. Finally, we identified style-holons using the property of a double-headed style-holon. A style-holon is necessarily included in a t…