0000000000532810

AUTHOR

Sophie Stévance

showing 4 related works from this author

The Effect of Music on Movement Perception: Synchresis in Hits for HIIT

2021

Hits for HIIT consists in a research-creation project aiming to produce both musical pieces and training exercises for, on the one hand, optimizing HIIT practice and, on the other, enriching scholarly research on the relations between music and sports. These questions and their related studies have highlighted music/movement relations and the way they are perceived. In this paper we would like to outline how we attempt to build a two-way dialogue between the production of music adapted to HIIT and the design of workouts based on the music.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASon the other:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]territorios para el arte 590908 2021 7 8182061 The Effect of Music on Movement Perception: Synchresis in Hits for HIIT Stévance [revista de investigación musical]Sophie Hits for HIIT consists in a research-creation project aiming to produce both musical pieces and training exercises for2386-8260 13268 Itamaron the one handoptimizing HIIT practice andrevista de investigación musical: territorios para el arte 590908 2021 7 8182061 The Effect of Music on Movement Perception: Synchresis in Hits for HIIT Stévanceenriching scholarly research on the relations between music and sports. These questions and their related studies have highlighted music/movement relations and the way they are perceived. In this paper we would like to outline how we attempt to build a two-way dialogue between the production of music adapted to HIIT and the design of workouts based on the music. 95 104
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John Cage a la escucha de la re-definición del ámbito musical por Marcel Duchamp: la emergencia de una música conceptual

2018

Este artículo presenta los lazos que unieron a John Cage y Marcel Duchamp, a luz de las concepciones musicales y artísticas del inventor del ready-made. En 1913, Duchamp formula objeciones a la música concebida tradicionalmente (expresionista, referencialista y formalista) y compone una “música conceptual”, a partir de una serialización aleatoria de notas de música y de instrucciones verbales, formuladas escuetamente y limitando la intervención del gusto y de la mano del artista sobre el objeto. Analizada desde el punto de vista de la suspensión del tiempo y de la suspensión del gusto, esta música hecha de azar y sumergida en la indiferencia estética más total e irremediable permite tomar e…

Arte:PEDAGOGÍA [UNESCO]UNESCO::PEDAGOGÍAMúsica
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"Réactiver le sens de l'hommage": l'exemple du Festival SuperMicMac au Canada

2009

:PEDAGOGÍA [UNESCO]ArteUNESCO::PEDAGOGÍAMúsica
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Analysis of the Inuit Katajjaq in Popular Culture: the Canadian Throat-Singer Superstar Tanya Tagaq

2010

Arte:PEDAGOGÍA [UNESCO]UNESCO::PEDAGOGÍAMúsica
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