0000000000662242
AUTHOR
Zachary Bresler
showing 2 related works from this author
Immersed in Pop : 3D Music, Subject Positioning, and Compositional Design in The Weeknd’s “Blinding Lights” in Dolby Atmos
2021
Author's accepted manuscript. In 2019, Dolby Atmos Music launched on Tidal HiFi and Amazon Prime Music HD, integrating 3D sound with music streaming services for the first time. This is one of several recent incursions by popular music into immersive and interactive mediums, which also includes technologies such as virtual reality and 360-degree video. As immersive productions become more normal in popular music, they are increasingly critical to examine. How are aesthetic features of pop compositions altered or maintained in these productions? And how do these different spatial mediums effect compositional design, subject positioning, artists’ performativity, and staging? This article aims…
The 12th International Conference of Students of Systematic Musicology (SysMus19)
2020
At the 12th International Conference of Students of Systematic Musicology (SysMus19), students from all over the world came together to share and discuss their work spanning this interdisciplinary and diverse field. As a student-led conference, the SysMus series aims to provide a platform whereby early-stage researchers can hone their skills and gain experience in an open and friendly environment. Additionally, keynotes held by Dr. Klaus Frieler (Hochschule für Musik Franz Liszt, Weimar) and Dr. Helga de la Motte-Haber (Technische Universität Berlin), as well as workshops on different research tools and approaches, added to the depth and variety of the event. This report provides an overvi…