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AUTHOR
Patrick Gill
showing 2 related works from this author
Listening to the Literary: On the Novelistic Poetics of the Podcast
2020
In comparing the 300-year-old form of the novel and the more recent one of the podcast, Patrick Gill contends that there are indeed parallels between the two. In concentrating on the central ideas of scope, focus, affect, and narration, the essay argues that both the novel and the podcast exploit similar affordances to make their consumers feel actively engaged and emotionally involved in the media experience. Gill then analyses in how far the emphasis placed on these parallels by cultural commentators and podcast producers alike is due to essential similarities and in how far it derives from a desire to use the idea of the novel as a shorthand for an artefact that is somehow deemed more va…
“The drops which fell from Shakespear’s Pen”: Hamlet in Contemporary Fiction
2012
Questions of gender, ethnicity and sexuality have all been raised by novelists intent on rewriting Shakespeare from the position of what have been seen as cultural margins. While discussions of such rewritings are ongoing, few concerted efforts have been made to trace a pattern in the treatment of Shakespearean allusion and adaptation at the hands of British and American writers of the literary mainstream. The present essay sets out to investigate the way in which three such writers —Ian McEwan, Graham Swift, and John Updike— employ allusion to/adaptations of Hamlet in their novels and what their respective stances reveal about their understanding of their role as canonical writers.