0000000000726907
AUTHOR
S. Tedesco
showing 5 related works from this author
Il metodo e la storia
2006
The present volume aims to examine the relationship between some models of articulation of the system of art theory and the methodological reflection on the history of aesthetics in 20th-cen- tury Germany. Starting from Erwin Panofsky, this volume analyz- es various aspects of the debate of the 1920s and 1930s (the de- velopment of neo-Kantian methodology, historical phenomenolo- gy, and the beginning of the “history of ideas”), up to the great crisis caused by the rise of Nazism. The author discusses Panofsky’s theoretical essays from 1915 to 1932 and his renowned book Idea; Baeumler’s works on aesthetic historiography and his revision of Panofsky’s historiographic mo- del; Rothacker’s con…
“Intelletto nelle cose dell’anima”. Note sul rapporto fra scienza, esperienza, arti nel lavoro di Lucia Pizzo Russo
2015
Musil nell'opera di Pizzo Russo
LE IMPOSTURE DEL CIBO. ARGOMENTI PER UNA ESPOSIZIONE DELL' 'ABSENTIA'
2008
According to Ugo Volli, «what defines the identity of any semiotic object is its ability to carry out a specific set of functions». But what happens if the semiotic object does not achieve these functions? If the semiotic object does not keep its promises? What is the relation that connects the presence of a semiotic object with its ‘natural task’? Thus, what happens for example to the food if it cannot be enjoyed, if it does not feed? If it is present on the scene but so distant as to become unreachable and to make its natural function absent? In this particular case it is appropriate to bring up the concept of absentia. «LC». Rivista Dipartimento Letterature e Culture Europee Università d…
Bild unserer irren Anwesenheit/auf der Oberfläche der Erde. L’immagine come storia naturale del presente nella poetica diW. G. Sebald
2017
The poem Nach der Natur by W. G. Sebald, real germinal place of its author’s subsequent literary production, is a salient moment of confrontation for today's philosophical gaze; our historical time and our own humanity are configured as “natural history” (Benjamin), in a compositional game in which the present time acquires the character of a timeless distance projecting it on the background of a mournful nature, entrusting to the roughness of the poetic material and to its conceptual weaving the task of an unprecedented presentification of some layers of reality of rare density.
Tempo e testimonianza tra poesia e filosofia. Introduzione
2019
Introduction to the collection of essays on the topic "time and witness between poetry and philosophy" published in "Estetica. Studi e ricerche" (2/2019)