0000000000876145
AUTHOR
Esther Ferrer Montoliu
showing 3 related works from this author
Valores del mar en la obra de Pedro Ferrer Calatayud
2010
This paper seeks to offer an interpretation of the seascape work of Valencian painter Pedro Ferrer Calatayud (1860-1944). Starting from his artistic context, two essential values of the seascape aesthetics can be found in Ferrer's paintings: firstly depth, which is linked to the abyss and represented by the shipwreck, and then temporality, linked to eternity and the cyclical time and rendered through the relationship of the sea with other elements in nature. Our analysis proves that the sea in this painter, far from being merely a subject, was also a means of searching new ideological values and technical ways which would eventually lead to fresh artistic trends in the early 20th century.
La pintura del mar: Conceptos generales, sensación de infinitud y relaciones con la pintura valenciana de la segunda mitad del siglo XIX.
2008
El trabajo realizado ha pretendido abordar la pinturadel mar y los conceptos generales que la representan. Seha intentado demostrar c´omo a trav´es de la imagen delmar entendida como trayecto fenomenol´ogico y los componentesque definen su materialidad est´etica se puede representarla sensaci´on de infinitud que la misma evocapartiendo de la consideraci´on de que su idea se encuentrainscrita en su misma imagen como realidad. En nuestrainterpretaci´on nos hemos dejado guiar por la metodolog´ýadel imaginario de Gilbert Durand y de la fenomenolog´ýade Gaston Bachelard y Merleau-Ponty demostrando que elmar como imagen no se centra tan s´olo en su realidad sinoque es libre de ser relacionado con…
La sensación sonora y visual del mar en la pintura valenciana de finales del siglo XIX
2010
This work presents an interpretation from a phenomenological point of view of the visual and sonorous experience on the perception of the sea in the context of XIX century Valencian painting. The use of senses to generate images of the sea establishes a network of links between them that plays a key role in the comprehension and interpretation of its image. The analysis starts from the identification of an autonomous and separated poetics of the sea, focusing on the study of its immensity from the different points of view that its contemplation presents. It ends on the interpretation of the sonorous and mobile potentiality of its matter. The study has identified in the chosen images of the …