0000000000934010
AUTHOR
Nicolas Darbon
showing 18 related works from this author
CHESNEAU, Régis: Pour en finir avec le « classique »
2020
SCHNEBEL, Dieter : Musique visible. Essais sur la musique, [sous la direction de Héloïse Demoz et Olivier Baisez]
2020
Les Teko et les Wayãpi de Guyane face aux musiques contemporaines : attraits et limites de la mondialisation
2020
Regard sur le naufrage des objectifs et du tout-programmé: didactique musicale et complexité allostérique
2008
This article shows the advantages and disadvantages of all the musical education programs carried out both in college and in primary schools. It analyzes the Ministry's draft Program for 2009. Focusing in particular on the concept of the "objective", the educational centre has. To do this, there is a need to situate ones self in epistemological theories of complexity. Facing the classical "objective" to the systemic "finality", it stresses the unpredictability while dealing with group dynamics and declares the need to avoid the use of the allosteric model in music education. The strong offensive approach this situation produces is the prelude to a work on creating music, the unexpected, the…
MEÏMOUN, François: La Construction du langage musique de Pierre Boulez. La Première Sonate pour piano
2020
Revue de musicologie
2020
COULANGEON, Philippe : Les musiciens de jazz en France à l'heure de la réhabilitation culturelle : sociologie des carrières et du travail musical
2020
BOUKOBZA, Jean-François : György Ligeti. Études pour piano
2020
CAGE, John: autobiographie / an autobiographical statment
2020
DE SIMONE, Cristina : Proféractions ! Poésie en action à Paris (1946-1969)
2020
KHALIFA, Khalid Abdulla: Les Arts populaires du chant au Bahreïn. Message du patrimoine bahreïninen au monde
2020
Des outils pour la création: didactique musicale et complexité allostérique 2
2009
CATINCHI, Philippe-Jean: Polyphonies Corses
2020
Jean-Claude Risset, Apollon et l’artiste postchaman
2019
The French composer and scientist Jean-Claude Risset (1938-2016) is known for his pioneering work on sound synthesis, and for his electroaustic and instrumental musical works integrating models such as the effects of infinite descents or chaos theories. However, beyond an analysis of his music “in itself”, or even “in us”, and its technological components, this article proposes an approach to the apollonian, euphonic, transcendental aspects of his music, of which the composer himself has spoken. Another important and rarely dealt with area is the relationship to native cultures in the post-colonial context through works such as Mokee (tribute to the Amerindian peoples since 1492) and Otro (…