Wiedergabe der poetischen und theologischen Begrifflichkeit in der lettischen Übersetzung des Buches der Klagelieder von Grigor Narekatsi

2005

Biblical Person Names in The Book of Lamentations by Grigor Narekatsi (1001-1003).

2009

The Article deals with the role of Biblical person names in The Book of Lamentations by Grigor Narekatsi (1001-1003) in the poetical context, distinguishing two main functions of their use as the text elements: first – the referential or relational function; second – the poetically – esthetical function. Although Biblical person names comprise a numerically small lexical part of Lamentations, they function as important and considerable structural elements of the text which play an important role in the author’s system of the religious ethical categories of sinfulness. The Biblical person names are obliged to bring about connotations of behavior and choices of the particular person, and, bei…

Jaunplatonisma ideju atspulgs Narekas Grigora “Žēlabu grāmatas”latviešu tulkojumā

2012

The function and rendering in Latvian of genitive constructions in the semantic structure of the Book of Lamentations of Gregor from Narek (in Armeni…

2008

This report deals with the semantics of genitive constructions (adnominal genitive) in Matean Voghberguthean as well as with the searches for rendering equivalents in Latvian. It is based on the method of paraphrase with one or more transformations – the propositions described by John Beekman and John Callow in their fundamental work Translating the Word of God. This method helps to clarify syntactical and logical relations in the word groups and to elucidate the meaning of the phrase. Grammatical construction of adnominal Genitive (nomen regens – nomen rectum) has different functions in the semantic structure of Matean. Along with the more traditional semantics instances of the adnominal g…

Sources and symbols of the Song of Resurrection „Havun, havun” (Bird, bird) by Grigor Narekatsi (947 – 1011) (in Latvian)

2009

In the article two songs of Resurrection by Gregor Narekatsi and the symbolic meaning of „bird” in them are considered. The first song „Havun, havun” (Bird, bird) as periphrase of Song of Songs and the second song „Havik mi paitsar” (Bird descending on the cross stone) with its relation to this symbolic are analysed.