0000000001087122
AUTHOR
I. Cavallini
showing 3 related works from this author
A Counter-Reformation Reaction to Slovenian and Croatian Protestantism: The Symbol of St. Athanasius in a Creed of 1624
2018
During the second half of the 16th century, Istria was influenced by the Lutheran ideas disseminated by the Slovene Primoz Trubar. According to recent researches, between 1561 and 1565, the followers of Trubar Stjepan Konzul and Anton Dalmatin, with the financial support of Baron Hans Ungnad von Sonneg, translated and transliterated fourteen books into Croatian with Glagolitic script, eight or nine into Cyrillic, six into Croatian with Latin script, four into Slovenian, six into Italian and one into German. Given that their “Slovenian, Croatian and Cyrillic Printing House” (Windische, Crabatische und Cirulitsche Thrukeray) of Urach, a city nearby Tubingen, was responsible for printing more …
Intermedio and Chorus. Re-thinking Theories and Practices in Sixteenth-Century Italian Theatre
2017
L'articolo mette a confronto le teorie fiorite nel corso del sedicesimo secolo sull'uso del coro e dell'intermedio nei tre generi teatrali dell'epoca (tragedia, commedia, favola pastorale). L'esame rivela che, lungi dall'uniformarsi agli asserti dei letterati pieni di riferimenti alle poetiche di Aristotele e Orazio, gli uomini di teatro paragonarono spesso l'intermedio al coro di ispirazione classica. La definizione di "coro intercalare" e di "coro istrione", avanzata da Ottavio Magnanini nel 1614, si può applicare alle tragedie di alcuni celebri autori del secolo precedente che accostarono il coro tragico all'intermedio, corrompendo in parte il ruolo drammatico del primo a favore della sp…
Music Migrations from the Bohemian Lands to Trieste and the National Awakening of the Southern Slavs
2017
After obtaining the status of free port under the Austrian administration (1719), Trieste was transformed into a rich cosmopolitan town of the Adriatic sea, in which conveyed German and Slavic peoples, and then some groups from the Mediterranean countries. Among them, the Czechs played a key role in spreading the classical style at the end of the eighteenth century, as testified by the individual migration of composers to the nearby cities of Gorizia and Ljubljana (František Josef Dusík, Vaclav Vratny, Jan Kejha, Johannes Schreiber). Equally important, in the second part of the nineteenth century, was the creation of the modern violin school thanks to the contribution of Friedrich Pixis’s p…