Polyphonies(s): l'histoire au singulier pluriel

2009

Fátima Miranda / Échos d’une voix nomade1

2018

This contribution has not chosen to analyze the creations of Fátima Miranda (which, in any way would resist to the limits imposed by the white page), to achieve a exhaustive catalog of his works and its performance or to draw up a exhaustive biography. The track will be an analytical history where the individual proposals of the artist are in constant dialog with the historicity of their mode of action within the current artistic landscape. Some prominences of the approach artistic, aesthetic but also anthropological and philosophical de Fátima Miranda will be highlighted. The points of entry will be the question of the femininity and feminism, the inscription of its approach in the field o…

L’objet (du) musicologique. Réflexion métamusicologique

2020