0000000001130321

AUTHOR

Damien Bril

showing 4 related works from this author

Monuments à la régence. Représentations sculptées d’Anne d’Autriche et imaginaire du pouvoir

2020

Actes du colloque "La représentation sculpturale du pouvoir. La France, l'Italie et leur rayonnement en Europe à l'époque moderne" organisé par l'Ecole pratique des hautes études et la Société historique et littéraire polonaise, Paris, Bibliothèque polonaise, 17-18 mars 2016; International audience

Portrait du pouvoirLouis XIV 1638-1715Anne d'Autriche 1601-1666Louis XIII 1601-1643 roi de France[SHS.ART] Humanities and Social Sciences/Art and art historyGuillain[SHS.ART]Humanities and Social Sciences/Art and art historySimon
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A la croisée des genres. Louis XIV et le portrait équestre

2014

International audience

[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art historyComputingMilieux_MISCELLANEOUS
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Charles Errard : Le grand ordonnateur d'ensembles décoratifs. [Compte rendu de] Emmanuel Coquery, Charles Errard, ca. 1601-1689. La Noblesse du décor

2015

International audience

XVIIe siècle[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art historyComputingMilieux_MISCELLANEOUS
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Anne d’Autriche en ses images : légitimation du pouvoir féminin et culture visuelle de la majesté dans la France du XVIIe siècle

2018

Anne of Austria offers an important part, yet neglected, in the the development of royal iconography in seventeenth century France. Devoided from management of power under the reign of her husband Louis XIII, she is however the subject of many representations. The number of her images increases when she accedes to the responsibilities of the government at the death of the king, in 1643, becoming regent in the name of her minor son, Louis XIV. Beyond its majority in 1651, she maintains herself at a prominent place, until the death of Mazarin in 1661. During these two decades, a deep political crisis in France culminates in the so-called Fronde. In this context, the image of Anne of Austria b…

Visual culturePortraits du pouvoirPerformanceWomen and powerPortraits of powerReinesQueenshipMajestéCulture visuelleCostumes royaux[SHS.HIST] Humanities and Social Sciences/HistoryRoyal dress[SHS.HIST]Humanities and Social Sciences/HistoryMajestyPrintsFemmes et pouvoirFrench art of the XVIIth centuryArt français du XVIIe siècleEstampes
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