0000000001326263
AUTHOR
Sabine Strauß
showing 2 related works from this author
Adaptive memory representations of musical tempo and pitch
2009
Recent studies showed that the perception of extremely shifted versions of familiar pieces of music affects judgements about the original tempo and pitch. This paper aims to give an overview on musical adaptation effects (MAEs) for musical tempo and pitch. The focus is set on the questions if the recently found MAEs are generally comparable between the tempo and the pitch domain, and if they can be found to the same extent. In a series of eight empirical studies (N = 288, mean age = 26, SD = 8.6, 78 % female participants) the influence of extremely shifted versions (tempo-accelerated or pitch-shifted) of audio signals on memory representations was tested. Within this paper the focus will be…
Inattentional deafness under dynamic musical conditions
2009
While inattentional blindness is a modern classic in attention and perception research, analogous phenomena of inattentional deafness are less well-known. In music, inattentional deafness has never been demonstrated under controlled experimental conditions, despite of indirect evidence for related effects. We tested inattentional deafness with real music in both musicians and non-musicians. Participants listened to the first 1’50” of Richard Strauss’ Thus Spake Zarathustra, with the experimental group having the task of counting the number of tympani beats and the control group just listening. The unexpected event was an e-guitar solo during the last 20s of this sequence. In Study 1, among …