0000000001334007
AUTHOR
Leman, Marc
showing 3 related works from this author
Playing with delayed auditory feedback
2009
This paper presents a study where the effect of a delayed acoustic feedback is researched with 10 professional musicians performing four different pieces of piano music. The influence of a delayed auditory feedback on the performance is quantified using both MIDI information and the measurement of the movement of the upper body of the pianists. Four conditions were examined namely: a normal piano performance, a performance without acoustic feedback and two conditions with a delayed acoustic feedback of 300ms and 200ms respectively. The analysis of the MIDI data shows a significant increase in both the velocity of the keystrokes and the duration of the performance in the delayed conditions. …
Establishing Usability for Interactive Music Applications that Use Embodied Mediation Technology
2009
This paper proposes a research method to address usability issues in the early stage of development of interactive or collaborative embodied music applications. The central topic is how concepts of usability testing, goal composition, game enjoyment and technology assessment can be actively incorporated in the development and improvement of music applications that use embodied mediation technology. The method presented involves discourse analysis of interviews to develop an approach to constructively use the feedback of test persons to enhance interactive music applications. This analysis is used to determine whether users can properly interact with the system, whether they understand it an…
Interacting with music mediation technology for hearing impaired - first tests with normal hearing subjects
2009
Interaction with embodied mediation technology for musical activities is a fairly young but intriguing research domain that requires building and testing of paradigms. In this paper an experimental framework is presented that has been used to test subject’s sense of embodiment in sound identification and creation. A preliminary experiment is described that is part of an ongoing series of studies set up to evaluate embodied mediation technology, test methodologies and interfaces for user-oriented approaches to embodied music cognition. Thirty-three users interacted with the embodied music interaction (EMI) tool that is prototype software implemented in-house for a real-time interactive music…