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RESEARCH PRODUCT

Le visage flucturant des victimes. Images de l'affliction au Cambodge (1975-2003)

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This article carefully examines the modality of the images that represent the Cambodian génocide, from the photographs taken by the perpetrators at the detainees' arrival to the center of torture and interrogation S-21 until the images captures by the Vietnamese troussa on their taking over of this same compound. These modalities have changed over the last several decades in the sense the shots of photographs are permanently inscribed in different chains of discourse, ranging from the Tuol Sleng Genocide Museum's strategy to documentaries based on memories, from art galleries to the criminal court.