6533b7d8fe1ef96bd126a185
RESEARCH PRODUCT
Staging the Impossible for Young Audiences: Preliminary Findings in a Research Project
Merete Elnansubject
TrademarkVisual Arts and Performing ArtsNoticeStatement (logic)media_common.quotation_subjectPerspective (graphical)Kinesthetic learningEducationVisual artsPresentationAestheticsSociologyContent (Freudian dream analysis)Theatre directormedia_commondescription
“You should not be able to notice that it is theatre for children!” says Suzanne Osten, Swedish theatre director. How is this view compatible with her statement that Theatre for Young Audiences (TYA) should always take the child's perspective? In this article I draw attention to Osten's motivation and ability to do what some reckon to be impossible, unheard of, and/or irresponsible. Staging taboos such as divorce, suicide, eating disorders, and schizophrenia for children has been something of a trademark for Osten. I will widen the focus beyond the thematic content, by analyzing how she gives this a formal expression: how theoretical, aesthetic, kinesthetic, and playful approaches challenge, reveal, and create a presentation that communicates message and emotions.
| year | journal | country | edition | language |
|---|---|---|---|---|
| 2009-05-14 | Youth Theatre Journal |