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RESEARCH PRODUCT
EDM and Ecstasy: the lived experiences of electronic dance music festival attendees
Birgitta BurgerNoah LittleStephen Crouchersubject
social cohesionHistoryVisual Arts and Performing ArtsEcstasymusiikkicomputer.software_genre050105 experimental psychologyElectronic dance musicmusiikkijuhlatVisual arts0502 economics and businessdancesosiaalinen koheesio0501 psychology and cognitive sciencesdance (music)music festivalssocial acceptanceLas vegasconsistencyMultimediaEvent (computing)Lived experienceQualitative interviews05 social sciencesCommunitasyhtenäisyysta6131Thematic analysiselectronic dancecomputer050212 sport leisure & tourismMusicdescription
Attendance at large-scale music festivals has captivated a global interest in these spectacular experiences, yet little is known about the lasting benefits and personal changes individuals incur following this event. This study aims to provide a comprehensive exploration of the lived experiences of individuals who attended a multi-day electronic dance music festival. The present study was primarily interested in the perceived beneficial changes within the individual, following their festival experience. We investigated if first-time festival attendees perceived changes differed to those of returning individuals. Semi-structured qualitative interviews were used to collect data from 12 individuals who attended the 2015 Electronic Daisy Carnival in Las Vegas. Six participants were first-time attendees while the remaining six were individuals returning to the festival. The data was analysed using Thematic Analysis. Within the data emerged the following central themes: (1) escape, (2) communitas, and (3) self-reported changes; there were 10 subthemes. These findings add to the existing body of music festival literature, further contextualizing how music festivals are both experienced, and reflected upon by individuals. Further, this study highlights the potential lasting changes individuals’ experience from attending electronic dance music festivals. peerReviewed
year | journal | country | edition | language |
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2017-08-06 | Journal of New Music Research |