6533b7dafe1ef96bd126e0fd
RESEARCH PRODUCT
Hollywood y la Guerra Civil española: análisis de sus tres únicas cintas de ficción coetáneas (1937-1938) = Hollywood and the Spanish Civil War: analysis of its only three fiction films made simultaneously (1937-1938)
Carmen Guiralt Gomarsubject
Hollywoodblockade (1938)media_common.quotation_subjecthollywoodspanish civil warArtlove under fire (1937)lcsh:Philology. Linguisticsthe last train from madrid (1937)Spanish Civil Warlcsh:P1-1091CriticismHoganHumanitiesguerra civil españolamedia_commondescription
<p>El presente artículo propone un análisis comparativo de las tres únicas películas realizadas por Hollywood sobre la Guerra Civil española mientras esta se desarrollaba: <em>The Last Train From Madrid</em> (James Hogan, 1937), <em>Love Under Fire</em> (George Marshall, 1937) y <em>Blockade</em> (William Dieterle, 1938). A la postre, se demostrará que, en contra de lo afirmado por buena parte de la historiografía, las tres –y no únicamente <em>Blockade</em>– efectúan una denuncia de la intervención de las potencias del Eje en la Guerra Civil española.</p><p>The purpose of this article is to provide a comparative analysis of the only three films that were made in Hollywood relating to the Spanish Civil War during the period in which it was being waged: <em>The </em><em>Last Train From Madrid</em> (James Hogan, 1937), <em>Love Under Fire</em> (George Marshall, 1937) and <em>Blockade </em>(William Dieterle, 1938). Lastly, it will be demonstrated that, contrary to what has been asserted by a large num- ber of historians, all three – not only Blockade – express criticism against the Axis powers’ intervention in the Spanish Civil War.<br /><br /></p>
| year | journal | country | edition | language |
|---|---|---|---|---|
| 2017-12-01 | Estudios Humanísticos. Filología |