6533b7dbfe1ef96bd1271267
RESEARCH PRODUCT
Le motif de la mine ou le voyage merveilleux et initiatique au centre de la terre. Esthétique de la profondeur chez Tieck, Hoffmann et Novalis
Ingrid Lachenysubject
[SHS.LITT] Humanities and Social Sciences/Literatureromantisme[SHS.LITT]Humanities and Social Sciences/LiteraturemerveilleuxEsthétique de la profondeurfantastiqueunivers minéral[SHS] Humanities and Social Sciences[SHS]Humanities and Social Sciencesdescription
Extraordinary, eerie, magical, indeed mystical, the mine presents a world of fantasized chance encounters, of dreams and nightmares, where the individual falls prey to his inner demons. The descent into the mine amounts to a descent to the bowels of the earth, to be confronted by one’s own self, by one’s own questioning, anguish and wounds. The mine may induce a loss of any sense of reality, a fracturing, a dissociation, indeed a dislocation of identity. Seductively dangerous, the journey to the heart of the mine corresponds both to an attempt at introspection and at the same time to a potential death, aspects that can be found in the work of Tieck (Der Runenberg), of Hoffmann (Die Bergwerke zu Falun) and of Novalis (Heinrich von Ofterdingen).
| year | journal | country | edition | language |
|---|---|---|---|---|
| 2017-11-28 |