6533b7dcfe1ef96bd12720ac

RESEARCH PRODUCT

La cognificació de l'art

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The Cognification of Art Resum: Amb el terme “cognificacio”, un mot pres en prestec de l’argot de la Intel.ligencia Artificial, designo alguns dels processos pels quals les obres d’art han anat convertint-se cada cop mes en dispositius per a la generacio de coneixement. En particular, d’una banda, es tracta en aquest article dels fenomens d’artificacio d’objectes reals, com es el cas de la caixa de sabates de Gabriel Orozco, fenomens que es remunten als ready-mades de Duchamp i que es generalitzen en el darrer mig segle, i, de l’altra, el fenomen de les practiques d’investigacio artistica que s’han generalitzat en els darrers quinze anys, fenomen que alhora es d’artificacio de la recerca. Aquests fenomens de cognificacio, que alhora son d’artificacio estetica en sentit fort, plantegen el problema d’en que consisteix de fet la transformacio de quelcom en un dispositiu cognitiu artistic. Per aclarir-ho es discuteixen algunes idees de Kant, de Danto i de Deleuze. Paraules clau: cognificacio, artificacio, idea estetica, Orozco, Kant, Danto i Deleuze. Abstract: With the term "cognification", a word borrowed from the jargon of Artificial Intelligence, I designate some of the processes by which works of art have increasingly become devices for the generation of knowledge. In particular, on the one hand, this article deals with the phenomena of artification of real objects such as the shoe box of Gabriel Orozco, phenomena that go back to Duchamp's ready-mades and which are widespread in the last half century, and, on the other hand, the practices of artistic research that have become widespread in the last fifteen years, a phenomenon that is at the same time an artification of research. These phenomena of cognification, which at the same time are examples of aesthetic artification in a strong sense, raise the problem of what the transformation of something into a cognitive artistic device really is. To clarify this, some ideas of Kant, Danto and Deleuze are discussed. Keywords: cognification, artification, aesthetic idea, Orozco, Kant, Danto, Deleuze.