6533b7dcfe1ef96bd127297a
RESEARCH PRODUCT
Degradation study of XVIII century graffiti on the walls of Chiaramonte Palace (Palermo, Italy)
M. P. CasalettoMaurizio MarraleMaria Francesca AlberghinaLuigi TranchinaT. SchillaciR. BarracoG. M. IngoD. PolicarpoMaria Braisubject
Degradation studyXRDmedia_common.quotation_subjectXRFMineralogyStone materialsX ray fluorescenceXPSGeneral Materials ScienceWall paintingHistorical heritageIonic chromatographyConservation treatmentmedia_commonConservation treatmentIonic chromatographyCharacterisationSystematic investigationGeneral ChemistryArtCrystallisationSulphateGraffitiArchaeologySoluble saltWall matrixPhysical characterisationRelative humiditiedescription
A systematic investigation of the original materials and the degradation phenomena induced by soluble salts on the wall matrix and on the graffiti of the Inquisition jails of Chiaramonte Palace in Palermo (Italy) was carried out. Built in the XIV century, Chiaramonte Palace was used as Inquisition court during the XV–XVI centuries. The ancient graffiti, recently discovered, represent a unique historical witness of the prisoners that lived during that terrible period. In order to study the nature, the amount and the distribution of the salts in the masonry, stone materials sampled at different depth from the wall matrix and saline efflorescences were analysed. Different physical techniques were used, such as X-ray Photoelectron Spectroscopy, X-ray Fluorescence, Laser Induced Breakdown Spectroscopy, X-ray Diffraction and Ionic Chromatography. Results of the chemical and physical characterisation showed that the main cause of the degradation of graffiti and wall paintings was the presence of soluble salts, such as nitrates, chlorides and sulphates. Traces of oxalates, coming from a previous conservation treatment, were also found. The results obtained by the stratigraphical characterisation of soluble salts in the wall matrix can be used to recommend a procedure based on air humidification at high relative humidity values in order to avoid salt crystallisation and to prevent the crumbling process of the graffiti.
year | journal | country | edition | language |
---|---|---|---|---|
2010-04-23 |