6533b81ffe1ef96bd1276e7f

RESEARCH PRODUCT

Shakespeare in the Extreme: Addiction, Ghosts and (Re)Mediation in Alexander Fodor’s Hamlet

Maurizio Calbi

subject

Shakespeare; Hamlet; AdaptationShakespeareAdaptationShakespeare adaptation Hamlet media experimental film.Hamlet

description

This article is an analysis of Fodor's filmic version of Hamlet as simultaneously reverent and irreverent toward the canonical status of the Bard. It shows how Hamlet is being recycled by being brought into contact with contemporary citational environments, from pop music to drug culture.

http://hdl.handle.net/10447/349834