6533b82bfe1ef96bd128cd8e
RESEARCH PRODUCT
U.I.R.D.A. – Unbuilt Italian Rationalism Digital Archive
Starlight VattanoFrancesco Maggiosubject
Engineeringbusiness.industryDiagoneo/i: Harmonic ratio. Rectangle which ratio between the two sides corresponds to the ratio between the side of a square and its diagonal. Diapente: Harmonic ratio. Rectangle with sides in ratio 2:3. Diatessaron: Harmonic ratio. Rectangle with sides in ratio 3:4. Digital Archive: Cataloging of drawings obtained through the implementation of digital modeling software within a database that collects graphic elaborations acquired from archive drawings. Golden Ratio: Indicates the ratio between the two dimensions of which the major is the mean proportional between the minor and the sum of the two. Graphic Reading: Reading and understanding operation of an architecture through its decomposition into volumetric and geometric parts graphically expressed through an additional language. Harmonic Ratios: Geometric ratios between pure shapes traceable also in music that enable us to understand the spatial logic of drawn architecture. Hermeneutic Analysis: Interpretive approach adopted in the graphic analysis of an architecture drawing leading to the seeking of further key interpretations of the work itself. Redrawing: Graphic restitution of one or more archive drawings obtained by an interpretative practice of the project and expressed through the codes of representation that provide new information on architecture. Volumetric Analysis: Graphic analysis related to spatial logics that exist between the tridimensional elements of architecture read through schemes orthogonal projections and geometric analysis.Settore ICAR/17 - DisegnobusinessClassicsRationalism (international relations)description
For twenty years, the architecture of Italian rationalism through the digital modelling has been investigated. Very often, the production of a model and the consequent representation of tridimensional views, in many case studies, as outcome of the research on architecture have been considered. Actually, the digital model, intended as a critical tool, has to be conceived as a ‘starting point' for graphic analysis of architecture and not as the outcome. Indeed, it is associated to other graphics, sometimes not ‘deducted' from the model, useful for the understanding/translation of architecture. The construction of the model is not the construction of a simple image, operation, which is often carried out for the representation of the project, but it is the hermeneutic and critical result of the drawing tending to the analysis of the form, which is the true object of ‘imitation'. This study wants to contribute to the construction of a digital archive on the topic of the single-family house investigated by Piero Bottoni and Luigi Vietti.
| year | journal | country | edition | language |
|---|---|---|---|---|
| 2018-07-03 |