6533b82efe1ef96bd1293316
RESEARCH PRODUCT
D’Annunzio e il teatro fuori dal teatro
Giovanni Isgròsubject
French literature - Italian literature - Spanish literature - Portuguese literatureLanguage and LiteratureD’Annunzio. Dramatist. Theatre. Figlia di Iorio. La Nave. PPQ1-3999description
<p>At the origin of the two stage shows there is the idea of commemoration: September 11, the anniversary of the march on Ronchi, for <em>La Figlia di Iorio</em> to Vittoriale in 1927 and the homage to the Vate who has disappeared for a few months to represent <em>La Nave</em> in Venice in 1938; two different ways of celebrating and ritualising the event/theatre out of the theatre. And while in the first case, in a celebratory context he himself cared for, d’Annunzio became an enthusiastic promoter of a significant updating of the theatrical practice, in 1938 the regime finalised the event to an exaggeration of the duce’s politics in the lagoon marking a substantial distance from the ideological motives that had prompted the author to carry out his work.</p>
| year | journal | country | edition | language |
|---|---|---|---|---|
| 2017-10-01 |