6533b833fe1ef96bd129c84b

RESEARCH PRODUCT

Le non-public à l'oeuvre. Ethnographie d'une sortie au musée du Quai Branly avec le centre social

Cosmina Ghebaur

subject

[SHS.SOCIO]Humanities and Social Sciences/Sociologycentre socialsymbolic distance[SHS.SOCIO] Humanities and Social Sciences/Sociologysuburbsethnographie[ SHS.SOCIO ] Humanities and Social Sciences/Sociologybanlieuedistance symboliqueethnographycultural policyculturepolitique culturellemédiationsocial centrenon-public

description

Photographic exhibitions are organized today outside to attract those who do not attend museums and galleries. I studied the "non-public" (Ancel & Pessin, 2004) : the absents, those to whom they are intended, but that do not attend. What are the factors hindering the encounter with the works despite their urban exposure mode ? The article seeks to explore representations of culture that are forged by the respondents (migrants from popular classes) during outings organized by a social center. Using a case study (a visit to the Musée du Quai Branly), it shows how certain non-public meetings with high culture, far from abolishing the symbolic distance, on the contrary contribute to anchor or to dig it.

yearjournalcountryeditionlanguage
2014-02-28
https://hal.archives-ouvertes.fr/hal-00978169