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RESEARCH PRODUCT
Horses and Cowboys on the Contemporary American Stage: The Horse as Prop in Sam Shepard’sKicking a Dead Horseand Sarah Ruhl’sLate: a cowboy song
Ana Fernández-caparróssubject
Visual Arts and Performing ArtsStage (stratigraphy)media_common.quotation_subjectArt historyArtRepresentation (politics)media_commondescription
This comparative essay analyses the dramatic representation of horses in two early twenty-first-century American plays by Sam Shepard and Sarah Ruhl. Both plays bring a horse figure onto the stage ...
year | journal | country | edition | language |
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2021-03-26 | Studies in Theatre and Performance |