6533b836fe1ef96bd12a1992
RESEARCH PRODUCT
Canova divulgato tra «Können» e «Wollen» nell’opera di Alfred Gotthold Meyer
Carl Alexander Auf Der Heydesubject
Adolf von HildebrandSettore L-ART/04 - Museologia E Critica Artistica E Del RestauroPopular art historyNeoclassicismConstantin MeunierAlfred Gotthold MeyerAntonio CanovaWilhelm von BodeSettore L-ART/03 - Storia Dell'Arte ContemporaneaHeinrich WölfflinJacob BurckhardtAnton Springerdescription
This article is a critical introduction to the Italian translation of Meyer's Canova monograph (1898), it focuses on the editorial process and on the use of photography during this early stage of popular art history. Further consideration is given to Meyer's critical point of view in the context of the German fin-de-siècle art discourse (Burckhardt, Springer, Bode, Wölfflin, Hildebrand).
| year | journal | country | edition | language |
|---|---|---|---|---|
| 2014-01-01 |