6533b851fe1ef96bd12a8f60
RESEARCH PRODUCT
Cultural Paradigm and Popular Canon: The Discourse on Nation in Nineteenth-century Music of Slavic Mitteleuropa
Ivano Cavallinisubject
Subordination (linguistics)Literaturebusiness.industrymedia_common.quotation_subjectCanonArtnational identity music eighteenth century nineteenth century Bohemia Slovenia CroatiaNationalismPhenomenonNational identitySettore L-ART/07 - Musicologia E Storia Della MusicaSlavic languagesbusinessMusicClassicsAutonomymedia_commondescription
Nacionalna identiteta slovanske Srednje Evrope je v razpravi obravnavana z novim pristopom k različnim kulturnim paradigmam, takim, ki upošteva zgodovinske dogodke, preko katerih se je ob koncu 18. stoletja na Poljskem in v 19. stoletju na Češkem, Slovenskem in na Hrvaškem uveljavil splošno priznani glasbeni kanon. Pojav kanona je treba analizirati v okviru, v katerem sta kozmopolitizem in nacionalizem soobstajala v prepletu uporabne in avtonomne glasbe, kar presega zamejevanje v kategorije podrejenosti, prirejenosti in avtonomije. The national identity of Slavic Mitteleuropa is examined by means of a new approach to different cultural paradigms, namely the historical events out of which the popular canon in music flourished at the end of eighteenth-century Poland and in nineteenth-century Bohemia, Slovenia and Croatia. This phenomenon must be analysed within a framework in which cosmopolitism and nationalism co-existed in a mix of functional and autonomous music, superseding the boundaries of subordination, adaptation and autonomy
year | journal | country | edition | language |
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2016-06-01 |