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RESEARCH PRODUCT
Écriture et perception des grandes formes en musique contemporaine et, en particulier, chez Roger Reynolds. « Le cristal et la flamme »
Philippe Lalittesubject
music analysismusic perceptionmusical timeRoger Reynolds.musical formperception musicaletemps musical[SCCO] Cognitive scienceforme musicalemusic semioticsmusique contemporaine[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsRoger ReynoldscompositionAnalyse musicalesémiotique musicale.Contemporary musicdescription
This PhD addresses the issue of musical time and form in the second half of the XXth century with the joint perspective of composition and perception. The first chapter describes composer’s main conceptions of musical time, compositional strategies, functions and formal models, as well as the main musicological theories concerning musical form. The second chapter is devoted to the semiotic square of musical form (definition, typological and syntagmatic approach). The third chapter is dedicated to R. Reynolds’The Angel of Death, a work that allows us to compare writing and perception. The fourth chapter reviews the main studies and theories forged by psychology around this question, and presents an experiment on the perception of formal coherence. The end of the fourth chapter outlines a cognitive model describing the structuring of musical information and four levels of temporal coherence.
| year | journal | country | edition | language |
|---|---|---|---|---|
| 2003-01-01 |