6533b871fe1ef96bd12d1216

RESEARCH PRODUCT

Identification of diterpenes in canvas painting varnishes by gas chromatography-mass spectrometry with combined derivatisation.

Laura Osete-cortinaFrancisco Bosch-reigJosé Vicente Gimeno-adelantadoM. T. Doménech-carbóR. Mateo-castro

subject

ChromatographySilylationTrimethylsilylChemistryOrganic ChemistryVarnishGeneral Medicineengineering.materialReference StandardsBiochemistryAnalytical Chemistrychemistry.chemical_compoundCanada balsamvisual_artPaintvisual_art.visual_art_mediumengineeringOrganic chemistryEthyl chloroformatePaintingsGas chromatographyGas chromatography–mass spectrometryDiterpenesAbietic acid

description

A derivatisation method that combines the formation of ethyl esters from the carboxylic groups and trimethylsilyl ethers from hydroxyl groups of the components of diterpenic resins is presented in this paper. This methodology involves two experimental steps: (1) formation of ethyl esters using ethyl chloroformate; and (2) the esterified compounds are lead to react with trimethylsilylimidazole to form the corresponding trimethylsilyl ethers. The main advantage of the proposed method is the possibility of performing simultaneously the analysis of amino acids from proteins, fatty acids from drying oils, and diterpenic compounds from natural resins usually found in works of art. This methodology is of considerable interest due to the requirements of minimum sampling that usually involves the analysis of works of art. A chemometric study has been developed to adjust the optimal working conditions of the proposed derivatisation method in which chromatographic peak areas of the larixyl acetate derivative and the abietic acid derivative referred to n-hexadecane as internal standard have been compared. Samples of Venetian turpentine naturally aged have been used in this study. Finally, the efficiency of the proposed derivatisation method has been tested on other diterpenic resins and pigments commonly used in fine arts such as Strasbourg turpentine, Canada balsam, colophony, copper resinate and a sample from a Renaissance Altarpiece.

10.1016/j.chroma.2003.10.066https://pubmed.ncbi.nlm.nih.gov/14753721