Search results for " 11"
showing 10 items of 591 documents
Nordisk Jazz og World Music Hva er hva? : En undersøkelse av forskjellen mellom Nordisk Jazz og World Music basert på skriftlige kilder, auditive ana…
2018
Masteroppgave rytmisk musikk MUR502 - Universitetet i Agder 2018 Grunnlaget for denne oppgaven ligger i forfatterens oppfatning av forskjellen mellom den første epoken av Nordisk jazz fra 1976 til år 2000 og World Music. Forfatteren oppfatter at det oppstår en tvetydighet mellom sjangerne på grunn av like musikalske utgangspunkt og estetiske valg som skaper sterke fellestrekk mellom dem. Ved å fokusere på den nordiske saksofonisten Jan Garbareks produksjoner, har synet på Garbarek som en Nordisk Jazzmusiker endret seg i forfatterens øyne, siden både Nordisk Jazz og World Music bruker folkemusikk og etnomusikalske effekter. Gjennom skriftlig teori om sjangerne, auditive analyser, spørreunder…
MIDI Polyphonic Expression: fra verktøy til kunstnerisk uttrykk : Et møte mellom min egen kunstneriske prosess og den nye MIDI-teknologien MIDI Polyp…
2021
Master's thesis in Popular music (MUR502)
Individuell time i musikkproduksjon
2021
Master's thesis in Popular music (MUR502)
Dilemmaer i skandinavisk korlederutdanning
2021
Within higher education, programmes in choral conducting are offered of varying kinds and at different levels, from dedicated programmes to single courses that are embedded in other music programmes. The choral practice field is varied; choral leadership is partly a generic music competence and partly a profession. The variety and social reach of the choral movement suggest that the educational offering in choral conducting should be manifold in type and quantity in order to supply the practice field with qualified conductors. n this chapter we take a renewed look at material from three previous studies: (1) a mapping of Scandinavian choral leader education, based on document analysis and i…
Dynamic Range Processing’s Influence on Perceived Timing in Electronic Dance Music
2020
In this article, we explore the extent to which dynamic range processing (such as compression and sidechain compression) influences our perception of a sound signal’s temporal placement in music. Because compression reshapes the sound signal’s envelope, scholars have previously noted that certain uses of sidechain compression can produce peculiar rhythmic effects. In this article, we have tried to interrogate and complicate this notion by linking a description of the workings and effects of dynamic range processing to empirical findings on the interaction between sound and perceived timing, and by analyzing multitracks and DAW project files, as well as released audio files, of selected EDM …
Hearing Early Modern Music Through the Contemporary
2022
This chapter focuses on how contemporary music practice interacts with early modern1 aesthetics. Two projects, in which Georg Philip Telemann’s solo fantasias are interspersed with contemporary techniques and repertoire, serve as case studies. Firstly, the flutist Felix Renggli commissioned new pieces from 11 contemporary Swiss composers, to be inserted in between Telemann’s 12 Fantasias for Solo Flute. Secondly, violinist Aisha Orazbayeva performed a set of Telemann’s Solo Fantasias for Violin using extended techniques pioneered by Salvatore Sciarrino in his 6 caprices. In this text I use these two different approaches as case studies for how early modern music, exemplified by Telemann, ca…
Turning points in shaping choral conducting practice: six tales of Norwegian conductors’ professional development
2022
Based on narratives on six choral conductors’ unfolding careers, the article investigates significant moments in professional trajectories – turning points – and how these shaped ongoing practices. The empirical material comprises interviews with conductors that represent different pre-conducting platforms – musicologist, music therapist, music educator, instrumentalist, singer, and church musician. Narratives present both an ontological view of experience – lived life is told life – and a methodology where the narrative analysis is the researchers’ integral retelling of fragments and episodes provided by the informants. The article draws on sensemaking theory to understand how the conducto…
Fra Quadraleidoscope til Q : En prosess fra det visuelle til det musikalske. Hvordan kan visuelle elementer som linjer og geometriske former i fotogr…
2019
Masteroppgave kunstfag KF500 - Universitetet i Agder 2019
«Jeg kan ikke bli musikklærer hvis jeg ikke kan synge foran klassen min»: Korsang i lærerutdanningen og utvikling av individuell sangtrygghet
2022
‘A Swarm of Sound’
2022
Author's accepted manuscript. This article explores the idea of audiovisual immersion through the portal of the virtual reality music video. Our focus falls on a close reading of Björk’s video, ‘Family’, which addresses questions of immersion in relation to user-experience, staging, and technological innovation. This article draws on the authors’ responses to the video by considering the implications of VR immersion in a new generation of music video productions. As part of the methodology on offer, a model for music analysis is devised for conceptualising virtual audiovisual space (VAVS) and the inextricable relationships between production and compositional design.