Search results for " Art History"

De l'intime dans le cinéma anglophone

2015

International audience; La notion d’intime, qui touche au secret des oeuvres et des êtres, n’est pas toujours associée au cinéma anglophone, en particulier aux productions hollywoodiennes caractérisées par une prédominance du récit peu propice aux scènes d’intimité. Cette tendance qui tient à la nature même du dispositif cinématographique et a fait son attrait dès les origines, ainsi que les contradictions entre exhibition et censure, révèlent cependant l’importance de cette question au sein de la production anglophone. Si les documentaires, les archives familiales ou les films underground paraissent relever naturellement d’un cinéma de l’intime, les oeuvres de fiction, classiques ou contem…

The Blues of David Lynch

2009

International audience; This article is an attempt to elaborate a typology of the color blue in the color films of David Lynch up to and including Mulholland Drive (2001). The color blue is considered alternately as light, matter or verbal language. The author studies the use, function, value and meaning of blue lighting, divided into static and flashing light, and of the blue objects in Blue Velvet (1986) and Mulholland Drive. The author shows how Lynch appropriates connotations Western culture, under the influence of Christian and romantic imagery, traditionally associates with the color blue in his cinematographic compositions. The author argues that this typology has bearing not only on…

"Borders in/of Adaptations"

2022

Who cares about calling non-consensual sex "rape" in summaries of fictional narratives on Wikipedia? From a gender identity hypothesis to recurrent a…

2021

International audience; This presentation is based on a larger research project about novel and film summaries on Wikipedia where a recurrent dissensus as to which word summarizes best what happens in a fictional sex scene (typically seduction vs rape) was spotted by exporting and searching revision histories. The linguistic consistency and recurrence of such words shifts suggests these findings cannot be explained solely by interindividual subjective variation in interpretation and chance : can we predict whether a reader / contributor will make this type of discursive shift on the basis of their social identity, such as their gender ? A methodological difficulty is that identity online an…

Comment Hollywood figure l'intériorité dans les films « hollywoodiens » de David Lynch, Lost Highway (1997), Mulholland Drive (2001) et Inland Empire…

2010

en cours de publication; L'article prend comme point de départ les travaux de Zachary Baqué, traite "Lost Highway" (1997), "Mulholland Drive" (2001) et "Inland Empire" (2006) et contient un grand nombre de micro-analyses reliées entre elles. Il montre la complexité de la fonction structurante de Hollywood comme lieu, mythe et système dans les 3 films.

« La Russie romantique à l’époque de Pouchkine et Gogol », compte rendu de l’exposition au Musée de la Vie romantique, Paris, 28 septembre 2010 - 16 …

2011

Conflits dans l’interprétation des scènes de violences sexuelles. Réceptions profanes, réceptions expertes

2022

International audience

Roxy and me ! : L'anglais à la maternelle

2013

National audience; Ensemble pédagogique conçu pour les élèves de l'école maternelle permettant une approche ludique et mutisensorielle de la langue anglaise.

"Nanni Moretti: moi comme un autre"

2009

Intimacy in Cinema: Critical Essays on English Language Film

2014

International audience; Though intimacy has been a wide concern in the humanities, it has received little critical attention in film studies. This collection of essays investigates both the potential intimacy of cinema as a medium and the possibility of a cinema of intimacy where it is least expected. As a notion defined by binaries--inside and outside, surface and depth, public and private, self and other--intimacy, because it implies sharing, calls into question the boundaries between these extremes, and the border separating mainstream cinema and independent or auteur cinema. Following on Thomas Elsaesser's theories of the relationship between the intimacy of cinema and the cinema of int…